Find this Story

Print, a form you can hold

Wireless download to your Amazon Kindle

Look for a summary or analysis of this Story.

Enjoy this? Share it!

by [?]

John Christopher Frederick von Schiller, was born at Marbach, a small town in the duchy of Wurtemberg, on the 10th day of November, 1759. It will aid the reader in synchronizing the periods of this great man’s life with the corresponding events throughout Christendom, if we direct his attention to the fact, that Schiller’s birth nearly coincided in point of time with that of Robert Burns, and that it preceded that of Napoleon by about ten years.

The position of Schiller is remarkable. In the land of his birth, by those who undervalue him the most, he is ranked as the second name in German literature; everywhere else he is ranked as the first. For us, who are aliens to Germany, Schiller is the representative of the German intellect in its highest form; and to him, at all events, whether first or second, it is certainly due, that the German intellect has become a known power, and a power of growing magnitude, for the great commonwealth of Christendom. Luther and Kepler, potent intellects as they were, did not make themselves known as Germans. The revolutionary vigor of the one, the starry lustre of the other, blended with the convulsions of reformation, or with the aurora of ascending science, in too kindly and genial a tone to call off the attention from the work which they performed, from the service which they promoted, to the circumstances of their personal position. Their country, their birth, their abode, even their separate existence, was merged in the mighty cause to which they lent their cooperation. And thus at the beginning of the sixteenth century, thus at the beginning of the seventeenth, did the Titan sons of Germany defeat their own private pretensions by the very grandeur of their merits. Their interest as patriots was lost and confounded in their paramount interest as cosmopolites. What they did for man and for human dignity eclipsed what they had designed for Germany. After them there was a long interlunar period of darkness for the land of the Rhine and the Danube. The German energy, too spasmodically excited, suffered a collapse. Throughout the whole of the seventeenth century, but one vigorous mind arose for permanent effects in literature. This was Opitz, a poet who deserves even yet to be read with attention, but who is no more worthy to be classed as the Dryden, whom his too partial countrymen have styled him, than the Germany of the Thirty Years’ War of taking rank by the side of civilized and cultured England during the Cromwellian era, or Klopstock of sitting on the same throne with Milton. Leibnitz was the one sole potentate in the fields of intellect whom the Germany of this country produced; and he, like Luther and Kepler, impresses us rather as a European than as a German mind, partly perhaps from his having pursued his self-development in foreign lands, partly from his large circle of foreign connections, but most of all from his having written chiefly in French or in Latin. Passing onwards to the eighteenth century, we find, through its earlier half, an absolute wilderness, unreclaimed and without promise of natural vegetation, as the barren arena on which the few insipid writers of Germany paraded. The torpor of academic dulness domineered over the length and breadth of the land. And as these academic bodies were universally found harnessed in the equipage of petty courts, it followed that the lethargies of pedantic dulness were uniformly deepened by the lethargies of aulic and ceremonial dulness; so that, if the reader represents to himself the very abstract of birthday odes, sycophantish dedications, and court sermons, he will have some adequate idea of the sterility and the mechanical formality which at that era spread the sleep of death over German literature. Literature, the very word literature, points the laughter of scorn to what passed under that name during the period of Gottsched. That such a man indeed as this Gottsched, equal at the best to the composition of a Latin grammar or a school arithmetic, should for a moment have presided over the German muses, stands out as in itself a brief and significant memorial, too certain for contradiction, and yet almost too gross for belief, of the apoplectic sleep under which the mind of central Europe at that era lay oppressed. The rust of disuse had corroded the very principles of activity.