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IX. Lowell.

“There is Lowell, who’s striving Parnassus to climb
With a whole bale of isms tied together with rhyme,
He might get on alone, spite of brambles and boulders,
But he can’t with that bundle he has on his shoulders
The top of the hill he will ne’er come nigh reaching
Till he learns the distinction ‘twixt singing and preaching;
His lyre has some chords that would ring pretty well,
But he’d rather by half make a drum of the shell
And rattle away till he’s old as Methusalem,
At the head of a march to the last new Jerusalem.

X. Spirit of Ancient Poetry.

“My friends, in the happier days of the muse,
We were luckily free from such things as reviews,
Then naught came between with its fog to make clearer
The heart of the poet to that of his hearer;
Then the poet brought heaven to the people, and they
Felt that they, too, were poets in hearing his lay;
Then the poet was prophet, the past in his soul
Pre-created the future, both parts of one whole;
Then for him there was nothing too great or too small.
For one natural deity sanctified all;
Then the bard owned no clipper and meter of moods
Save the spirit of silence that hovers and broods
O’er the seas and the mountains, the rivers and woods
He asked not earth’s verdict, forgetting the clods,
His soul soared and sang to an audience of gods.
‘Twas for them that he measured the thought and the line,
And shaped for their vision the perfect design,
With as glorious a foresight, a balance as true,
As swung out the worlds in the infinite blue;
Then a glory and greatness invested man’s heart
The universal, which now stands estranged and apart,
In the free individual moulded, was Art;
Then the forms of the Artist seemed thrilled with desire
For something as yet unattained, fuller, higher,
As once with her lips, lifted hands, and eyes listening,
And her whole upward soul in her countenance glistening,
Eurydice stood–like a beacon unfired,
Which, once touched with flame, will leap heav’nward inspired–
And waited with answering kindle to mark
The first gleam of Orpheus that pained the red Dark.
Then painting, song, sculpture, did more than relieve
the need that men feel to create and believe,
And as, in all beauty, who listens with love
Hears these words oft repeated–`beyond and above.’
So these seemed to be but the visible sign
Of the grasp of the soul after things more divine;
They were ladders the Artist erected to climb
O’er the narrow horizon of space and of time,
And we see there the footsteps by which men had gained
To the one rapturous glimpse of the never-attained,
As shepherds could erst sometimes trace in the sod
The last spurning print of a sky-cleaving god.