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Speckled Trout
by [?]


The legend of the wary trout, hinted at in the last sketch, is to be further illustrated in this and some following chapters. We shall get at more of the meaning of those dark water-lines, and I hope, also, not entirely miss the significance of the gold and silver spots and the glancing iridescent hues. The trout is dark and obscure above, but behind this foil there are wondrous tints that reward the believing eye. Those who seek him in his wild remote haunts are quite sure to get the full force of the sombre and uninviting aspects,–the wet, the cold, the toil, the broken rest, and the huge, savage, uncompromising nature,–but the true angler sees farther than these, and is never thwarted of his legitimate reward by them.

I have been a seeker of trout from my boyhood, and on all the expeditions in which this fish has been the ostensible purpose I have brought home more game than my creel showed. In fact, in my mature years I find I got more of nature into me, more of the woods, the wild, nearer to bird and beast, while threading my native streams for trout, than in almost any other way. It furnished a good excuse to go forth; it pitched one in the right key; it sent one through the fat and marrowy places of field and wood. Then the fisherman has a harmless, preoccupied look; he is a kind of vagrant that nothing fears. He blends himself with the trees and the shadows. All his approaches are gentle and indirect. He times himself to the meandering, soliloquizing stream; its impulse bears him along. At the foot of the waterfall he sits sequestered and hidden in its volume of sound. The birds know he has no designs upon them, and the animals see that his mind is in the creek. His enthusiasm anneals him, and makes him pliable to the scenes and influences he moves among.

Then what acquaintance he makes with the stream! He addresses himself to it as a lover to his mistress; he wooes it and stays with it till he knows its most hidden secrets. It runs through his thoughts not less than through its banks there; he feels the fret and thrust of every bar and boulder. Where it deepens, his purpose deepens; where it is shallow, he is indifferent. He knows how to interpret its every glance and dimple; its beauty haunts him for days.

That night we had our first fair and square camping out,–that is, sleeping on the ground with no shelter over us but the trees,–and it was in many respects the pleasantest night we spent in the woods. The weather was perfect and the place was perfect, and for the first time we were exempt from the midges and smoke; and then we appreciated the clean new page we had to work on. Nothing is so acceptable to the camper-out as a pure article in the way of woods and waters. Any admixture of human relics mars the spirit of the scene. Yet I am willing to confess that, before we were through those woods, the marks of an axe in a tree were a welcome sight. On resuming our march next day we followed the right bank of the Beaverkill, in order to strike a stream which flowed in from the north, and which was the outlet of Balsam Lake, the objective point of that day’s march. The distance to the lake from our camp could not have been over six or seven miles; yet, traveling as we did, without path or guide, climbing up banks, plunging into ravines, making detours around swampy places, and forcing our way through woods choked up with much fallen and decayed timber, it seemed at least twice that distance, and the mid-afternoon sun was shining when we emerged into what is called the “Quaker Clearing,” ground that I had been over nine years before, and that lies about two miles south of the lake. From this point we had a well-worn path that led us up a sharp rise of ground, then through level woods till we saw the bright gleam of the water through the trees.