**** ROTATE **** **** ROTATE **** **** ROTATE **** **** ROTATE ****

Find this Story

Print, a form you can hold

Wireless download to your Amazon Kindle

Look for a summary or analysis of this Story.

Enjoy this? Share it!

A Poor Rule
by [?]

I have always maintained, and asserted ime to time, that woman is no mystery; that man can foretell, construe, subdue, comprehend, and interpret her. That she is a mystery has been foisted by herself upon credulous mankind. Whether I am right or wrong we shall see. As “Harper’s Drawer” used to say in bygone years: “The following good story is told of Miss –, Mr. –, Mr. –and Mr. –.”

We shall have to omit “Bishop X” and “the Rev. –,” for they do not belong.

In those days Paloma was a new town on the line of the Southern Pacific. A reporter would have called it a “mushroom” town; but it was not. Paloma was, first and last, of the toadstool variety.

The train stopped there at noon for the engine to drink and for the passengers both to drink and to dine. There was a new yellow-pine hotel, also a wool warehouse, and perhaps three dozen box residences. The rest was composed of tents, cow ponies, “black-waxy” mud, and mesquite-trees, all bound round by a horizon. Paloma was an about-to- be city. The houses represented faith; the tents hope; the twice-a- day train by which you might leave, creditably sustained the role of charity.

The Parisian Restaurant occupied the muddiest spot in the town while it rained, and the warmest when it shone. It was operated, owned, and perpetrated by a citizen known as Old Man Hinkle, who had come out of Indiana to make his fortune in this land of condensed milk and sorghum.

There was a four-room, unpainted, weather-boarded box house in which the family lived. From the kitchen extended a “shelter” made of poles covered with chaparral brush. Under this was a table and two benches, each twenty feet long, the product of Paloma home carpentry. Here was set forth the roast mutton, the stewed apples, boiled beans, soda- biscuits, puddinorpie, and hot coffee of the Parisian menu.

Ma Hinkle and a subordinate known to the ears as “Betty,” but denied to the eyesight, presided at the range. Pa Hinkle himself, with salamandrous thumbs, served the scalding viands. During rush hours a Mexican youth, who rolled and smoked cigarettes between courses, aided him in waiting on the guests. As is customary at Parisian banquets, I place the sweets at the end of my wordy menu.

Ileen Hinkle!

The spelling is correct, for I have seen her write it. No doubt she had been named by ear; but she so splendidly bore the orthography that Tom Moore himself (had he seen her) would have indorsed the phonography.

Ileen was the daughter of the house, and the first Lady Cashier to invade the territory south of an east-and-west line drawn through Galveston and Del Rio. She sat on a high stool in a rough pine grand- stand–or was it a temple?–under the shelter at the door of the kitchen. There was a barbed-wire protection in front of her, with a little arch under which you passed your money. Heaven knows why the barbed wire; for every man who dined Parisianly there would have died in her service. Her duties were light; each meal was a dollar; you put it under the arch, and she took it.

I set out with the intent to describe Ileen Hinkle to you. Instead, I must refer you to the volume by Edmund Burke entitled: A Philosophical Inquiry into the Origin of Our Ideas of the Sublime and Beautiful. It is an exhaustive treatise, dealing first with the primitive conceptions of beauty–roundness and smoothness, I think they are, according to Burke. It is well said. Rotundity is a patent charm; as for smoothness–the more new wrinkles a woman acquires, the smoother she becomes.

Ileen was a strictly vegetable compound, guaranteed under the Pure Ambrosia and Balm-of-Gilead Act of the year of the fall of Adam. She was a fruit-stand blonde-strawberries, peaches, cherries, etc. Her eyes were wide apart, and she possessed the calm that precedes a storm that never comes. But it seems to me that words (at any rate per) are wasted in an effort to describe the beautiful. Like fancy, “It is engendered in the eyes.” There are three kinds of beauties–I was foreordained to be homiletic; I can never stick to a story.