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The Giant
by [?]

I sometimes fancy that every great city must have been built by night. At least, it is only at night that every part of a great city is great. All architecture is great architecture after sunset; perhaps architecture is really a nocturnal art, like the art of fireworks. At least, I think many people of those nobler trades that work by night (journalists, policemen, burglars, coffee-stall keepers, and such mistaken enthusiasts as refuse to go home till morning) must often have stood admiring some black bulk of building with a crown of battlements or a crest of spires and then burst into tears at daybreak to discover that it was only a haberdasher’s shop with huge gold letters across the face of it.

. . . . .

I had a sensation of this sort the other day as I happened to be wandering in the Temple Gardens towards the end of twilight. I sat down on a bench with my back to the river, happening to choose such a place that a huge angle and facade of building jutting out from the Strand sat above me like an incubus. I dare say that if I took the same seat to-morrow by daylight I should find the impression entirely false. In sunlight the thing might seem almost distant; but in that half-darkness it seemed as if the walls were almost falling upon me. Never before have I had so strongly the sense which makes people pessimists in politics, the sense of the hopeless height of the high places of the earth. That pile of wealth and power, whatever was its name, went up above and beyond me like a cliff that no living thing could climb. I had an irrational sense that this thing had to be fought, that I had to fight it; and that I could offer nothing to the occasion but an indolent journalist with a walking-stick.

Almost as I had the thought, two windows were lit in that black, blind face. It was as if two eyes had opened in the huge face of a sleeping giant; the eyes were too close together, and gave it the suggestion of a bestial sneer. And either by accident of this light or of some other, I could now read the big letters which spaced themselves across the front; it was the Babylon Hotel. It was the perfect symbol of everything that I should like to pull down with my hands if I could. Reared by a detected robber, it is framed to be the fashionable and luxurious home of undetected robbers. In the house of man are many mansions; but there is a class of men who feel normal nowhere except in the Babylon Hotel or in Dartmoor Gaol. That big black face, which was staring at me with its flaming eyes too close together, that was indeed the giant of all epic and fairy tales. But, alas! I was not the giant-killer; the hour had come, but not the man. I sat down on the seat again (I had had one wild impulse to climb up the front of the hotel and fall in at one of the windows), and I tried to think, as all decent people are thinking, what one can really do. And all the time that oppressive wall went up in front of me, and took hold upon the heavens like a house of the gods.

. . . . .

It is remarkable that in so many great wars it has been the defeated who have won. The people who were left worst at the end of the war were generally the people who were left best at the end of the whole business. For instance, the Crusades ended in the defeat of the Christians. But they did not end in the decline of the Christians; they ended in the decline of the Saracens. That huge prophetic wave of Moslem power which had hung in the very heavens above the towns of Christendom, that wave was broken, and never came on again. The Crusaders had saved Paris in the act of losing Jerusalem. The same applies to that epic of Republican war in the eighteenth century to which we Liberals owe our political creed. The French Revolution ended in defeat: the kings came back across a carpet of dead at Waterloo. The Revolution had lost its last battle; but it had gained its first object. It had cut a chasm. The world has never been the same since. No one after that has ever been able to treat the poor merely as a pavement.