According to one mode of regarding those two classes of mental action, which are called reason and imagination, the former may be considered as mind contemplating the relations borne by one thought to another, however produced; and the latter, as mind acting upon those thoughts so as to colour them with its own light, and […]

The period which intervened between the birth of Pericles and the death of Aristotle, is undoubtedly, whether considered in itself, or with reference to the effects which it has produced upon the subsequent destinies of civilized man, the most memorable in the history of the world. What was the combination of moral and political circumstances […]

The dialogue entitled The Banquet was selected by the translator as the most beautiful and perfect among all the works of Plato. [Footnote: The Republic, though replete with considerable errors of speculation, is, indeed, the greatest repository of important truths of all the works of Plato. This, perhaps, is because it is the longest. He […]

The first law which it becomes a Reformer to propose and support, at the approach of a period of great political change, is the abolition of the punishment of death. It is sufficiently clear that revenge, retaliation, atonement, expiation, are rules and motives, so far from deserving a place in any enlightened system of political […]

I–THE MIND It is an axiom in mental philosophy, that we can think of nothing which we have not perceived. When I say that we can think of nothing, I mean, we can imagine nothing, we can reason of nothing, we can remember nothing, we can foresee nothing. The most astonishing combinations of poetry, the […]

Life and the world, or whatever we call that which we are and feel, is an astonishing thing. The mist of familiarity obscures from us the wonder of our being. We are struck with admiration at some of its transient modifications, but it is itself the great miracle. What are changes of empires, the wreck […]

What is love? Ask him who lives, what is life? ask him who adores, what is God? I know not the internal constitution of other men, nor even thine, whom I now address. I see that in some external attributes they resemble me, but when, misled by that appearance, I have thought to appeal to […]

Composed at Este after Shelley’s first visit to Venice, 1818 (Autumn); first published in the “Posthumous Poems”, London, 1824 (edition Mrs. Shelley). Shelley’s original intention had been to print the poem in Leigh Hunt’s “Examiner”; but he changed his mind and, on August 15, 1819, sent the manuscript to Hunt to be published anonymously by […]

(The idea Shelley had formed of Prince Athanase was a good deal modelled on “Alastor”. In the first sketch of the poem, he named it “Pandemos and Urania”. Athanase seeks through the world the One whom he may love. He meets, in the ship in which he is embarked, a lady who appears to him […]

ADVERTISEMENT. The story of “Rosalind and Helen” is, undoubtedly, not an attempt in the highest style of poetry. It is in no degree calculated to excite profound meditation; and if, by interesting the affections and amusing the imagination, it awakens a certain ideal melancholy favourable to the reception of more important impressions, it will produce […]

PART 1 Nec tantum prodere vati, Quantum scire licet. Venit aetas omnis in unam Congeriem, miserumque premunt tot saecula pectus. LUCAN, Phars. v. 176. How wonderful is Death, Death and his brother Sleep! One pale as yonder wan and horned moon, With lips of lurid blue, The other glowing like the vital morn, 5 When […]

PREFACE. The poem entitled “Alastor” may be considered as allegorical of one of the most interesting situations of the human mind. It represents a youth of uncorrupted feelings and adventurous genius led forth by an imagination inflamed and purified through familiarity with all that is excellent and majestic, to the contemplation of the universe. He […]

WRITTEN ON THE OCCASION OF THE MASSACRE AT MANCHESTER. [Composed at the Villa Valsovano near Leghorn–or possibly later, during Shelley’s sojourn at Florence–in the autumn of 1819, shortly after the Peterloo riot at Manchester, August 16; edited with Preface by Leigh Hunt, and published under the poet’s name by Edward Moxon, 1832 (Bradbury & Evans, […]

BY MICHING MALLECHO, ESQ. Is it a party in a parlour, Crammed just as they on earth were crammed, Some sipping punch–some sipping tea; But, as you by their faces see, All silent, and all–damned! “Peter Bell”, by W. WORDSWORTH. OPHELIA.–What means this, my lord? HAMLET.–Marry, this is Miching Mallecho; it means mischief. SHAKESPEARE. [Composed […]

Composed during Shelley’s occupation of the Gisbornes’ house at Leghorn, July, 1820; published in “Posthumous Poems”, 1824. The spider spreads her webs, whether she be In poet’s tower, cellar, or barn, or tree; The silk-worm in the dark green mulberry leaves His winding sheet and cradle ever weaves; So I, a thing whom moralists call […]

Composed at the Baths of San Giuliano, near Pisa, August 14-16, 1820; published in Posthumous Poems, edition Mrs. Shelley, 1824. The dedication To Mas-y first appeared in the Poetical Works, 1839, 1st edition TO MARY (ON HER OBJECTING TO THE FOLLOWING POEM, UPON THE SCORE OF ITS CONTAINING NO HUMAN INTEREST). 1. How, my dear […]

VERSES ADDRESSED TO THE NOBLE AND UNFORTUNATE LADY, EMILIA V–, NOW IMPRISONED IN THE CONVENT OF –. L’anima amante si slancia fuori del creato, e si crea nell’ infinito un Mondo tutto per essa, diverso assai da questo oscuro e pauroso baratro. HER OWN WORDS. [“Epipsychidion” was composed at Pisa, January, February, 1821, and published […]

[Published in part (lines 1-69, 100-120) by Mrs. Shelley, “Posthumous Poems”, 1824; and again, with the notes, in “Poetical Works”, 1839. Lines 127-238 were printed by Dr. Garnett under the title of “The Magic Plant” in his “Relics of Shelley”, 1862. The whole was edited in its present form from the Boscombe manuscript by Mr. […]

Composed at Lerici on the Gulf of Spezzia in the spring and early summer of 1822–the poem on which Shelley was engaged at the time of his death. Published by Mrs. Shelley in the “Posthumous Poems” of 1824 Swift as a spirit hastening to his task Of glory and of good, the Sun sprang forth […]

[“Charles the First” was designed in 1818, begun towards the close of 1819 [Medwin, “Life”, 2 page 62], resumed in January, and finally laid aside by June, 1822. It was published in part in the “Posthumous Poems”, 1824, and printed, in its present form (with the addition of some 530 lines), by Mr. W.M. Rossetti, […]