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The Remoulding Of Groby Lington
by [?]

“A man is known by the company he keeps.”

In the morning-room of his sister-in-law’s house Groby Lington fidgeted away the passing minutes with the demure restlessness of advanced middle age. About a quarter of an hour would have to elapse before it would be time to say his good-byes and make his way across the village green to the station, with a selected escort of nephews and nieces. He was a good-natured, kindly dispositioned man, and in theory he was delighted to pay periodical visits to the wife and children of his dead brother William; in practice, he infinitely preferred the comfort and seclusion of his own house and garden, and the companionship of his books and his parrot to these rather meaningless and tiresome incursions into a family circle with which he had little in common. It was not so much the spur of his own conscience that drove him to make the occasional short journey by rail to visit his relatives, as an obedient concession to the more insistent but vicarious conscience of his brother, Colonel John, who was apt to accuse him of neglecting poor old William’s family. Groby usually forgot or ignored the existence of his neighbour kinsfolk until such time as he was threatened with a visit from the Colonel, when he would put matters straight by a hurried pilgrimage across the few miles of intervening country to renew his acquaintance with the young people and assume a kindly if rather forced interest in the well-being of his sister-in-law. On this occasion he had cut matters so fine between the timing of his exculpatory visit and the coming of Colonel John, that he would scarcely be home before the latter was due to arrive. Anyhow, Groby had got it over, and six or seven months might decently elapse before he need again sacrifice his comforts and inclinations on the altar of family sociability. He was inclined to be distinctly cheerful as he hopped about the room, picking up first one object, then another, and subjecting each to a brief bird-like scrutiny.

Presently his cheerful listlessness changed sharply to an attitude of vexed attention. In a scrap-book of drawings and caricatures belonging to one of his nephews he had come across an unkindly clever sketch of himself and his parrot, solemnly confronting each other in postures of ridiculous gravity and repose, and bearing a likeness to one another that the artist had done his utmost to accentuate. After the first flush of annoyance had passed away, Groby laughed good-naturedly and admitted to himself the cleverness of the drawing. Then the feeling of resentment repossessed him, resentment not against the caricaturist who had embodied the idea in pen and ink, but against the possible truth that the idea represented. Was it really the case that people grew in time to resemble the animals they kept as pets, and had he unconsciously become more and more like the comically solemn bird that was his constant companion? Groby was unusually silent as he walked to the train with his escort of chattering nephews and nieces, and during the short railway journey his mind was more and more possessed with an introspective conviction that he had gradually settled down into a sort of parrot-like existence. What, after all, did his daily routine amount to but a sedate meandering and pecking and perching, in his garden, among his fruit trees, in his wicker chair on the lawn, or by the fireside in his library? And what was the sum total of his conversation with chance-encountered neighbours? “Quite a spring day, isn’t it?” “It looks as though we should have some rain.” “Glad to see you about again; you must take care of yourself.” “How the young folk shoot up, don’t they?” Strings of stupid, inevitable perfunctory remarks came to his mind, remarks that were certainly not the mental exchange of human intelligences, but mere empty parrot-talk. One might really just as well salute one’s acquaintances with “Pretty polly. Puss, puss, miaow!” Groby began to fume against the picture of himself as a foolish feathered fowl which his nephew’s sketch had first suggested, and which his own accusing imagination was filling in with such unflattering detail.