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The Man Out Of The Nose
by [?]

At the intersection of two certain streets in that part of San Francisco known by the rather loosely applied name of North Beach, is a vacant lot, which is rather more nearly level than is usually the case with lots, vacant or otherwise, in that region. Immediately at the back of it, to the south, however, the ground slopes steeply upward, the acclivity broken by three terraces cut into the soft rock. It is a place for goats and poor persons, several families of each class having occupied it jointly and amicably “from the foundation of the city.” One of the humble habitations of the lowest terrace is noticeable for its rude resemblance to the human face, or rather to such a simulacrum of it as a boy might cut out of a hollowed pumpkin, meaning no offense to his race. The eyes are two circular windows, the nose is a door, the mouth an aperture caused by removal of a board below. There are no doorsteps. As a face, this house is too large; as a dwelling, too small. The blank, unmeaning stare of its lidless and browless eyes is uncanny.

Sometimes a man steps out of the nose, turns, passes the place where the right ear should be and making his way through the throng of children and goats obstructing the narrow walk between his neighbors’ doors and the edge of the terrace gains the street by descending a flight of rickety stairs. Here he pauses to consult his watch and the stranger who happens to pass wonders why such a man as that can care what is the hour. Longer observations would show that the time of day is an important element in the man’s movements, for it is at precisely two o’clock in the afternoon that he comes forth 365 times in every year.

Having satisfied himself that he has made no mistake in the hour he replaces the watch and walks rapidly southward up the street two squares, turns to the right and as he approaches the next corner fixes his eyes on an upper window in a three-story building across the way. This is a somewhat dingy structure, originally of red brick and now gray. It shows the touch of age and dust. Built for a dwelling, it is now a factory. I do not know what is made there; the things that are commonly made in a factory, I suppose. I only know that at two o’clock in the afternoon of every day but Sunday it is full of activity and clatter; pulsations of some great engine shake it and there are recurrent screams of wood tormented by the saw. At the window on which the man fixes an intensely expectant gaze nothing ever appears; the glass, in truth, has such a coating of dust that it has long ceased to be transparent. The man looks at it without stopping; he merely keeps turning his head more and more backward as he leaves the building behind. Passing along to the next corner, he turns to the left, goes round the block, and comes back till he reaches the point diagonally across the street from the factory–point on his former course, which he then retraces, looking frequently backward over his right shoulder at the window while it is in sight. For many years he has not been known to vary his route nor to introduce a single innovation into his action. In a quarter of an hour he is again at the mouth of his dwelling, and a woman, who has for some time been standing in the nose, assists him to enter. He is seen no more until two o’clock the next day. The woman is his wife. She supports herself and him by washing for the poor people among whom they live, at rates which destroy Chinese and domestic competition.