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Scene
by [?]

On that loveliest autumn morning, the swollen tide had spread over all the russet levels, and gleamed in the sunlight a mile away. As the contributor moved onward down the street, luminous on either hand with crimsoning and yellowing maples, he was so filled with the tender serenity of the scene, as not to be troubled by the spectacle of small Irish houses standing miserably about on the flats ankle deep, as it were, in little pools of the tide, or to be aware at first, of a strange stir of people upon the streets: a fluttering to and fro and lively encounter and separation of groups of bareheaded women, a flying of children through the broken fences of the neighborhood, and across the vacant lots on which the insulted sign-boards forbade them to trespass; a sluggish movement of men through all, and a pause of different vehicles along the sidewalks. When a sense of these facts had penetrated his enjoyment, he asked a matron whose snowy arms, freshly taken from the wash-tub, were folded across a mighty chest, “What is the matter?”

“A girl drowned herself, sir-r-r, over there on the flats, last Saturday, and they’re looking for her.”

“It was the best thing she could do,” said another matron grimly.

Upon this answer that literary soul fell at once to patching himself up a romantic story for the suicide, after the pitiful fashion of this fiction- ridden age, when we must relate everything we see to something we have read. He was the less to blame for it, because he could not help it; but certainly he is not to be praised for his associations with the tragic fact brought to his notice. Nothing could have been more trite or obvious, and he felt his intellectual poverty so keenly that he might almost have believed his discomfort a sympathy for the girl who had drowned herself last Saturday. But of course, this could not be, for he had but lately been thinking what a very tiresome figure to the imagination the Fallen Woman had become. As a fact of Christian civilization, she was a spectacle to wring one’s heart, he owned; but he wished she were well out of the romances, and it really seemed a fatality that she should be the principal personage of this little scene. The preparation for it, whatever it was to be, was so deliberate, and the reality had so slight relation to the French roofs and modern improvements of the comfortable Charlesbridge which he knew, that he could not consider himself other than as a spectator awaiting some entertainment, with a faint inclination to be critical.

In the mean time there passed through the motley crowd, not so much a cry as a sensation of “They’ve found her, they’ve found her!” and then the one terrible picturesque fact, “She was standing upright!”

Upon this there was wilder and wilder clamor among the people, dropping by degrees and almost dying away, before a flight of boys came down the street with the tidings, “They are bringing her–bringing her in a wagon.”

The contributor knew that she whom they were bringing in the wagon, had had the poetry of love to her dismal and otherwise squalid death; but the history was of fancy, not of fact in his mind. Of course, he reflected, her lot must have been obscure and hard; the aspect of those concerned about her death implied that. But of her hopes and her fears, who could tell him anything? To be sure he could imagine the lovers, and how they first met, and where, and who he was that was doomed to work her shame and death; but here his fancy came upon something coarse and common: a man of her own race and grade, handsome after that manner of beauty which is so much more hateful than ugliness is; or, worse still, another kind of man whose deceit must have been subtler and wickeder; but whatever the person, a presence defiant of sympathy or even interest, and simply horrible. Then there were the details of the affair, in great degree common to all love affairs, and not varying so widely in any condition of life; for the passion which is so rich and infinite to those within its charm, is apt to seem a little tedious and monotonous in its character, and poor in resources to the cold looker-on.