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Our English Watering-Place
by [?]

IN the Autumn-time of the year, when the great metropolis is so much hotter, so much noisier, so much more dusty or so much more water-carted, so much more crowded, so much more disturbing and distracting in all respects, than it usually is, a quiet sea-beach becomes indeed a blessed spot. Half awake and half asleep, this idle morning in our sunny window on the edge of a chalk-cliff in the old-fashioned watering-place to which we are a faithful resorter, we feel a lazy inclination to sketch its picture.

The place seems to respond. Sky, sea, beach, and village, lie as still before us as if they were sitting for the picture. It is dead low-water. A ripple plays among the ripening corn upon the cliff, as if it were faintly trying from recollection to imitate the sea; and the world of butterflies hovering over the crop of radish-seed are as restless in their little way as the gulls are in their larger manner when the wind blows. But the ocean lies winking in the sunlight like a drowsy lion – its glassy waters scarcely curve upon the shore – the fishing-boats in the tiny harbour are all stranded in the mud – our two colliers (our watering-place has a maritime trade employing that amount of shipping) have not an inch of water within a quarter of a mile of them, and turn, exhausted, on their sides, like faint fish of an antediluvian species. Rusty cables and chains, ropes and rings, undermost parts of posts and piles and confused timber-defences against the waves, lie strewn about, in a brown litter of tangled sea-weed and fallen cliff which looks as if a family of giants had been making tea here for ages, and had observed an untidy custom of throwing their tea-leaves on the shore.

In truth, our watering-place itself has been left somewhat high and dry by the tide of years. Concerned as we are for its honour, we must reluctantly admit that the time when this pretty little semicircular sweep of houses, tapering off at the end of the wooden pier into a point in the sea, was a gay place, and when the lighthouse overlooking it shone at daybreak on company dispersing from public balls, is but dimly traditional now. There is a bleak chamber in our watering-place which is yet called the Assembly ‘Rooms,’ and understood to be available on hire for balls or concerts; and, some few seasons since, an ancient little gentleman came down and stayed at the hotel, who said that he had danced there, in bygone ages, with the Honourable Miss Peepy, well known to have been the Beauty of her day and the cruel occasion of innumerable duels. But he was so old and shrivelled, and so very rheumatic in the legs, that it demanded more imagination than our watering-place can usually muster, to believe him; therefore, except the Master of the ‘Rooms’ (who to this hour wears knee- breeches, and who confirmed the statement with tears in his eyes), nobody did believe in the little lame old gentleman, or even in the Honourable Miss Peepy, long deceased.

As to subscription balls in the Assembly Rooms of our watering- place now, red-hot cannon balls are less improbable. Sometimes, a misguided wanderer of a Ventriloquist, or an Infant Phenomenon, or a juggler, or somebody with an Orrery that is several stars behind the time, takes the place for a night, and issues bills with the name of his last town lined out, and the name of ours ignominiously written in, but you may be sure this never happens twice to the same unfortunate person. On such occasions the discoloured old Billiard Table that is seldom played at (unless the ghost of the Honourable Miss Peepy plays at pool with other ghosts) is pushed into a corner, and benches are solemnly constituted into front seats, back seats, and reserved seats – which are much the same after you have paid – and a few dull candles are lighted – wind permitting – and the performer and the scanty audience play out a short match which shall make the other most low-spirited – which is usually a drawn game. After that, the performer instantly departs with maledictory expressions, and is never heard of more.