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Nigger Martha’s Wake
by [?]

A woman with face all seared and blotched by something that had burned through the skin sat propped up in the doorway of a Bowery restaurant at four o’clock in the morning, senseless, apparently dying. A policeman stood by, looking anxiously up the street and consulting his watch. At intervals he shook her to make sure she was not dead. The drift of the Bowery that was borne that way eddied about, intent upon what was going on. A dumpy little man edged through the crowd and peered into the woman’s face.

“Phew!” he said, “it’s Nigger Martha! What is gettin’ into the girls on the Bowery I don’t know. Remember my Maggie? She was her chum.”

This to the watchman on the block. The watchman remembered. He knows everything that goes on in the Bowery. Maggie was the wayward daughter of a decent laundress, and killed herself by drinking carbolic acid less than a month before. She had wearied of the Bowery. Nigger Martha was her one friend. And now she had followed her example.

She was drunk when she did it. It is in their cups that a glimpse of the life they traded away for the street comes sometimes to these wretches, with remorse not to be borne.

It came so to Nigger Martha. Ten minutes before, she had been sitting with two boon companions in the oyster saloon next door, discussing their night’s catch. Elsie “Specs” was one of the two; the other was known to the street simply as Mame. Elsie wore glasses, a thing unusual enough in the Bowery to deserve recognition. From their presence Martha rose suddenly, to pull a vial from her pocket. Mame saw it, and, knowing what it meant in the heavy humor that was upon Nigger Martha, she struck it from her hand with a pepper-box. It fell, but was not broken. The woman picked it up, and staggering out, swallowed its contents upon the sidewalk–that is, as much as went into her mouth. Much went over her face, burning it. She fell shrieking.

Then came the crowd. The Bowery never sleeps. The policeman on the beat set her in the doorway and sent a hurry call for an ambulance. It came at last, and Nigger Martha was taken to the hospital.

As Mame told it, so it was recorded on the police blotter, with the addition that she was anywhere from forty to fifty years old. That was the strange part of it. It is not often that any one lasts out a generation in the Bowery. Nigger Martha did. Her beginning was way back in the palmy days of Billy McGlory and Owney Geoghegan. Her first remembered appearance was on the occasion of the mock wake they got up at Geoghegan’s for Police Captain Foley when he was broken. That was in the days when dive-keepers made and broke police captains, and made no secret of it. Billy McGlory did not. Ever since, Martha was on the street.

In time she picked up Maggie Mooney, and they got to be chummy. The friendships of the Bowery by night may not be of a very exalted type, but when death breaks them it leaves nothing to the survivor. That is the reason suicides there happen in pairs. The story of Tilly Lorrison and Tricksy came from the Tenderloin not long ago. This one of Maggie Mooney and Nigger Martha was theirs over again.

In each case it was the younger, the one nearest the life that was forever past, who took the step first, in despair. The other followed. To her it was the last link with something that had long ceased to be anything but a dream, which was broken. But without the dream life was unbearable, in the Tenderloin and on the Bowery.

The newsboys were crying their night extras when Undertaker Reardon’s wagon jogged across the Bowery with Nigger Martha’s body in it. She had given the doctors the slip, as she had the policeman many a time. A friend of hers, an Italian in The Bend, had hired the undertaker to “do it proper,” and Nigger Martha was to have a funeral.