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“It’s like going down to Hell and coming up again and wanting to go down again. Oh, you’d want to go down again. You’d find the whole earth pale. You’d count the days until you went down again. Do you remember Orpheus? I think he looked back not to see if Eurydice was coming after him but because he knew it was the last glimpse he would get of Hell.” At that he broke off and began to chant in a crazy voice, wagging his head and swaying his body to the rhythm of the lines:–

“Quum subita in cantum dementia cepit amantem
Ignoscenda quidem scirent si ignoscere manes;
Restilit Eurydicengue suam jam luce sub ipsa
Immemor heu victusque animi respexit.”

“Oh, stop that!” cried Walker, and Hatteras laughed. “For God’s sake, stop it!”

For the words brought back to him in a flash the vision of a class-room with its chipped desks ranged against the varnished walls, the droning sound of the form-master’s voice, and the swish of lilac bushes against the lower window panes on summer afternoons. “Go on,” he said. “Oh, go on, and let’s have done with it.”

Hatteras took up his tale again, and it seemed to Walker that the man breathed the very miasma of the swamp and infected the room with it. He spoke of leopard societies, murder clubs, human sacrifices. He had witnessed them at the beginning, he had taken his share in them at the last. He told the whole story without shame, with indeed a growing enjoyment. He spared Walker no details. He related them in their loathsome completeness until Walker felt stunned and sick. “Stop,” he said, again, “Stop! That’s enough.”

Hatteras, however, continued. He appeared to have forgotten Walker’s presence. He told the story to himself, for his own amusement, as a child will, and here and there he laughed and the mere sound of his laughter was inhuman. He only came to a stop when he saw Walker hold out to him a cocked and loaded revolver.

“Well?” he asked. “Well?”

Walker still offered him the revolver.

“There are cases, I think, which neither God’s law nor man’s law seems to have provided for. There’s your wife you see to be considered. If you don’t take it I shall shoot you myself now, here, and mark you I shall shoot you for the sake of a boy I loved at school in the old country.”

Hatteras took the revolver in silence, laid it on the table, fingered it for a little.

“My wife must never know,” he said.

“There’s the pistol. Outside’s the swamp. The swamp will tell no tales, nor shall I. Your wife need never know.”

Hatteras picked up the pistol and stood up.

“Good-bye, Jim,” he said, and half pushed out his hand. Walker shook his head, and Hatteras went out on to the verandah and down the steps.

Walker heard him climb over the fence; and then followed as far as the verandah. In the still night the rustle and swish of the undergrowth came quite clearly to his ears. The sound ceased, and a few minutes afterwards the muffled crack of a pistol shot broke the silence like the tap of a hammer. The swamp, as Walker prophesied, told no tales. Mrs. Hatteras gave the one explanation of her husband’s disappearance that she knew and returned brokenhearted to England. There was some loud talk about the self-sacrificing energy, which makes the English a dominant race, and there you might think is the end of the story.

But some years later Walker went trudging up the Ogowe river in Congo Francais. He travelled as far as Woermann’s factory in Njole Island and, having transacted his business there, pushed up stream in the hope of opening the upper reaches for trade purposes. He travelled for a hundred and fifty miles in a little stern-wheel steamer. At that point he stretched an awning over a whale-boat, embarked himself, his banjo and eight blacks from the steamer, and rowed for another fifty miles. There he ran the boat’s nose into a clay cliff close to a Fan village and went ashore to negotiate with the chief.