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A New Year’s Gift
by [?]

Jacques de Randal, having dined at home alone, told his valet he might go out, and he sat down at his table to write some letters.

He ended every year in this manner, writing and dreaming. He reviewed the events of his life since last New Year’s Day, things that were now all over and dead; and, in proportion as the faces of his friends rose up before his eyes, he wrote them a few lines, a cordial New Year’s greeting on the first of January.

So he sat down, opened a drawer, took out of it a woman’s photograph, gazed at it a few moments, and kissed it. Then, having laid it beside a sheet of notepaper, he began:

“MY DEAR IRENE: You must by this time have received the little souvenir I sent, you addressed to the maid. I have shut myself up this evening in order to tell you—-“

The pen here ceased to move. Jacques rose up and began walking up and down the room.

For the last ten months he had had a sweetheart, not like the others, a woman with whom one engages in a passing intrigue, of the theatrical world or the demi-monde, but a woman whom he loved and won. He was no longer a young man, although he was still comparatively young for a man, and he looked on life seriously in a positive and practical spirit.

Accordingly, he drew up the balance sheet of his passion, as he drew up every year the balance sheet of friendships that were ended or freshly contracted, of circumstances and persons that had entered into his life.

His first ardor of love having grown calmer, he asked himself with the precision of a merchant making a calculation what was the state of his heart with regard to her, and he tried to form an idea of what it would be in the future.

He found there a great and deep affection; made up of tenderness, gratitude and the thousand subtleties which give birth to long and powerful attachments.

A ring at the bell made him start. He hesitated. Should he open the door? But he said to himself that one must always open the door on New Year’s night, to admit the unknown who is passing by and knocks, no matter who it may be.

So he took a wax candle, passed through the antechamber, drew back the bolts, turned the key, pulled the door back, and saw his sweetheart standing pale as a corpse, leaning against the wall.

He stammered:

“What is the matter with you?”

She replied:

“Are you alone?”

“Yes.”

“Without servants?”

“Yes.”

“You are not going out?”

“No.”

She entered with the air of a woman who knew the house. As soon as she was in the drawing-room, she sank down on the sofa, and, covering her face with her hands, began to weep bitterly.

He knelt down at her feet, and tried to remove her hands from her eyes, so that he might look at them, and exclaimed:

“Irene, Irene, what is the matter with you? I implore you to tell me what is the matter with you?”

Then, amid her sobs, she murmured:

“I can no longer live like this.”

“Live like this? What do you mean?”

“Yes. I can no longer live like this. I have endured so much. He struck me this afternoon.”

“Who? Your husband?”

“Yes, my husband.”

“Ah!”

He was astonished, having never suspected that her husband could be brutal. He was a man of the world, of the better class, a clubman, a lover of horses, a theatergoer and an expert swordsman; he was known, talked about, appreciated everywhere, having very courteous manners, a very mediocre intellect, an absence of education and of the real culture needed in order to think like all well-bred people, and finally a respect for conventionalities.

He appeared to devote himself to his wife, as a man ought to do in the case of wealthy and well-bred people. He displayed enough of anxiety about her wishes, her health, her dresses, and, beyond that, left her perfectly free.