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How I Met The President
by [?]

Several years ago, when there was a small war going on in South Africa and a great fuss going on in England, when it was by no means so popular and convenient to be a Pro-Boer as it is now, I remember making a bright suggestion to my Pro-Boer friends and allies, which was not, I regret to say, received with the seriousness it deserved. I suggested that a band of devoted and noble youths, including ourselves, should express our sense of the pathos of the President’s and the Republic’s fate by growing Kruger beards under our chins. I imagined how abruptly this decoration would alter the appearance of Mr. John Morley; how startling it would be as it emerged from under the chin of Mr. Lloyd-George. But the younger men, my own friends, on whom I more particularly urged it, men whose names are in many cases familiar to the readers of this paper–Mr. Masterman’s for instance, and Mr. Conrad Noel–they, I felt, being young and beautiful, would do even more justice to the Kruger beard, and when walking down the street with it could not fail to attract attention. The beard would have been a kind of counterblast to the Rhodes hat. An appropriate counterblast; for the Rhodesian power in Africa is only an external thing, placed upon the top like a hat; the Dutch power and tradition is a thing rooted and growing like a beard; we have shaved it, and it is growing again. The Kruger beard would represent time and the natural processes. You cannot grow a beard in a moment of passion.

. . . . .

After making this proposal to my friends I hurriedly left town. I went down to a West Country place where there was shortly afterwards an election, at which I enjoyed myself very much canvassing for the Liberal candidate. The extraordinary thing was that he got in. I sometimes lie awake at night and meditate upon that mystery; but it must not detain us now. The rather singular incident which happened to me then, and which some recent events have recalled to me, happened while the canvassing was still going on. It was a burning blue day, and the warm sunshine, settling everywhere on the high hedges and the low hills, brought out into a kind of heavy bloom that HUMANE quality of the landscape which, as far as I know, only exists in England; that sense as if the bushes and the roads were human, and had kindness like men; as if the tree were a good giant with one wooden leg; as if the very line of palings were a row of good-tempered gnomes. On one side of the white, sprawling road a low hill or down showed but a little higher than the hedge, on the other the land tumbled down into a valley that opened towards the Mendip hills. The road was very erratic, for every true English road exists in order to lead one a dance; and what could be more beautiful and beneficent than a dance? At an abrupt turn of it I came upon a low white building, with dark doors and dark shuttered windows, evidently not inhabited and scarcely in the ordinary sense inhabitable– a thing more like a toolhouse than a house of any other kind. Made idle by the heat, I paused, and, taking a piece of red chalk out of my pocket, began drawing aimlessly on the back door– drawing goblins and Mr. Chamberlain, and finally the ideal Nationalist with the Kruger beard. The materials did not permit of any delicate rendering of his noble and national expansion of countenance (stoical and yet hopeful, full of tears for man, and yet of an element of humour); but the hat was finely handled. Just as I was adding the finishing touches to the Kruger fantasy, I was frozen to the spot with terror. The black door, which I thought no more of than the lid of an empty box, began slowly to open, impelled from within by a human hand. And President Kruger himself came out into the sunlight!