**** ROTATE **** **** ROTATE **** **** ROTATE **** **** ROTATE ****

Find this Story

Print, a form you can hold

Wireless download to your Amazon Kindle

Look for a summary or analysis of this Story.

Enjoy this? Share it!

Anne Bullen
by [?]

That minute detail of circumstances frequently found in writers of the history of their own times is more interesting than the elegant and general narratives of later, and probably of more philosophical historians. It is in the artless recitals of memoir-writers, that the imagination is struck with a lively impression, and fastens on petty circumstances, which must be passed over by the classical historian. The writings of Brantome, Comines, Froissart, and others, are dictated by their natural feelings: while the passions of modern writers are temperate with dispassionate philosophy, or inflamed by the virulence of faction. History instructs, but Memoirs delight. These prefatory observations may serve as an apology for Anecdotes which are gathered from obscure corners, on which the dignity of the historian must not dwell.

In Houssaie’s Memoirs, Vol. I. p. 435, a little circumstance is recorded concerning the decapitation of the unfortunate Anne Bullen, which illustrates an observation of Hume. Our historian notices that her executioner was a Frenchman of Calais, who was supposed to have uncommon skill. It is probable that the following incident might have been preserved by tradition in France, from the account of the executioner himself:–Anne Bullen being on the scaffold, would not consent to have her eyes covered with a bandage, saying that she had no fear of death. All that the divine who assisted at her execution could obtain from her was, that she would shut her eyes. But as she was opening them at every moment, the executioner could not bear their tender and mild glances; fearful of missing his aim, he was obliged to invent an expedient to behead the queen. He drew off his shoes, and approached her silently; while he was at her left hand, another person advanced at her right, who made a great noise in walking, so that this circumstance drawing the attention of Anne, she turned her face from the executioner, who was enabled by this artifice to strike the fatal blow, without being disarmed by that spirit of affecting resignation which shone in the eyes of the lovely Anne Bullen.

The Common Executioner,
Whose heart th’ accustom’d sight of death makes hard,
Falls not the axe upon the humble neck
But first begs pardon.

SHAKSPEARE.