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Evening Dress: Farce
by
ROBERTS. “I was trying to think where I’d put my dress-suit.”
CAMPBELL, triumphantly: “Exactly! And now do you expect me to believe you haven’t been at that decanter? Where do you suppose you put it?”
ROBERTS. “Where I always do on a hook in my closet.”
CAMPBELL. “You hang up your dress-suit? Why, it must look like a butler’s! You ought to fold your clothes and lay them in a bureau drawer. Don’t you know that? Very likely Agnes has got onto that while you’ve been away, and put them in here.” He looks towards the bureau, and Roberts tries to pull open one drawer after another.
ROBERTS. “This seems locked. I never lock my drawers.”
CAMPBELL. “Then that’s proof positive that your dress-suit is in there. Agnes has put it in, and locked it up, so as to keep it nice and fresh for you. Where’s your key?”
ROBERTS. “I don’t know. I always leave it in the key-hole of one of the drawers. Haven’t you got a key-ring, Willis?”
CAMPBELL. “I’ve got a key-ring, but I haven’t got it about me, as Artemus Ward said of his gift for public speaking. It’s in my other trousers pockets. Haven’t you got a collection of keys? Amy has a half-bushel, and she keeps them in a hand-bag in the bath-room closet. She says Agnes does.”
ROBERTS. “So she does! I’ll just look.” While he is gone, Campbell lays down his hat and overcoat, and tries the bureau drawers. Roberts returns to find him at this work. “No; she must have put them somewhere else. I know she always used to put them there.”
CAMPBELL. “Well, then we’ve got to pick the locks. Have you got a boot-buttoner? There’s nothing like a boot-buttoner to pick locks. Or, hold on a minute! We’ve got to go about this thing systematically. Now, I don’t think you can tell in your condition whether your dress-coat’s in your closet or not, Roberts. We must bring your clothes all out here and lay them on the bed, and see. That dress-suit may turn up yet. You probably thought it was something like an ulster. I know how a man’s ideas get mixed, after a little too much freshening up.”
ROBERTS, unmindful of his joke: “You’re right, Willis. I may have overlooked it. I’ll bring out everything.” He disappears, and reappears with a business-suit of black diagonal, which he throws on the bed. “That isn’t it.”
CAMPBELL, inspecting it: “No; but it isn’t so far off. Some of the young chaps have their dress-coats made of diagonal. Try again, Roberts: you’ll fetch it yet.” Roberts disappears, and reappears with a frock-coat of blue and checked trousers. “Oh, that won’t do, Roberts. Don’t give way like that. Who ever saw a man in evening-dress with check trousers on? Now, what have we next?” As Roberts goes and comes, Campbell receives his burdens and verifies them. “A velvet jacket won’t do, either, unless you’re a travelling Englishman. Three pairs of summer pantaloons are all very well in their way; but they’re out of season, and stripes are not the thing for evening wear any more. Beautiful bath gown, but more adapted for amateur dramatics than for a musicale. Two waistcoats and a Norfolk jacket mean well, but are not adapted to the purpose. Exemplary light overcoat, but still not quite the thing. Double-breasted reefer and Canada homespun trousers; admirably fitted for a sea-voyage and camping out. Armload of semi-detached waistcoats and pantaloons; very suggestive, but not instantly available. Pajamas not at all the thing. Elderly pair of doeskin trousers and low-cut waistcoat–Why, hello, Roberts! here’s part of your dress-suit now! Where’s the coat?”
ROBERTS, dropping into a chair and wiping his forehead, while he surveys the tangled heap of garments on the bed: “Given away. Got too small for me, three years ago. Agnes kept the waistcoat and trousers for the sake of association, because I told her I wore them at the party where we first met. They won’t go half round me now.”