**** ROTATE **** **** ROTATE **** **** ROTATE **** **** ROTATE ****

Find this Story

Print, a form you can hold

Wireless download to your Amazon Kindle

Look for a summary or analysis of this Story.

Enjoy this? Share it!

PAGE 4

A Wicked Woman (Curtain Raiser)
by [?]

LORETTA. If you had let me know, the carriage would have been sent for you.

BILLY. [With expression of shrewdness.] If I had let you know, you wouldn’t have let me come.

[BILLY looks around stage cautiously, then tries to kiss her.]

LORETTA. [Refusing to be kissed. ] Won’t you sit down?

BILLY. [Coaxingly.] Go on, just one. [LORETTA shakes head and holds him off.] Why not? We’re engaged.

LORETTA. [With decision. ] We’re not. You know we’re not. You know I broke it off the day before I came away. And . . . and . . . you’d better sit down.

[BILLY sits down on edge of chair. LORETTA seats herself by table. Billy, without rising, jerks his chair forward till they are facing each other, his knees touching hers. He yearns toward her. She moves back her chair slightly.]

BILLY. [With supreme confidence.] That’s what I came to see you for–to get engaged over again.

[BILLY hudges chair forward and tries to take her hand.]

[LORETTA hudges her chair back.]

BILLY. [Drawing out large silver watch and looking at it.] Now look here, Loretta, I haven’t any time to lose. I’ve got to leave for that train in ten minutes. And I want you to set the day.

LORETTA. But we’re not engaged, Billy. So there can’t be any setting of the day.

BILLY. [With confidence.] But we’re going to be. [Suddenly breaking out.] Oh, Loretta, if you only knew how I’ve suffered. That first night I didn’t sleep a wink. I haven’t slept much ever since. [Hudges chair forward.] I walk the floor all night. [Solemnly.] Loretta, I don’t eat enough to keep a canary bird alive. Loretta . . . [Hudges chair forward.]

LORETTA. [Hudging her chair back maternally.] Billy, what you need is a tonic. Have you seen Doctor Haskins?

BILLY. [Looking at watch and evincing signs of haste.] Loretta, when a girl kisses a man, it means she is going to marry him.

LORETTA. I know it, Billy. But . . . [She glances toward letters on table.] Captain Kitt doesn’t want me to marry you. He says . . . [She takes letter and begins to open it.]

BILLY. Never mind what Captain Kitt says. He wants you to stay and be company for your sister. He doesn’t want you to marry me because he knows she wants to keep you.

LORETTA. Daisy doesn’t want to keep me. She wants nothing but my own happiness. She says–[She takes second letter from table and begins to open it.]

BILLY. Never mind what Daisy says –

LORETTA. [Taking third letter from table and beginning to open it.] And Martha says –

BILLY. [Angrily.] Darn Martha and the whole boiling of them!

LORETTA. [Reprovingly.] Oh, Billy!

BILLY. [Defensively.] Darn isn’t swearing, and you know it isn’t.

[There is an awkward pause. Billy has lost the thread of the conversation and has vacant expression.]

BILLY. [Suddenly recollecting.] Never mind Captain Kitt, and Daisy, and Martha, and what they want. The question is, what do you want?

LORETTA. [Appealingly.] Oh, Billy, I’m so unhappy.

BILLY. [Ignoring the appeal and pressing home the point.] The thing is, do you want to marry me? [He looks at his watch.] Just answer that.

LORETTA. Aren’t you afraid you’ll miss that train?

BILLY. Darn the train!

LORETTA. [Reprovingly.] Oh, Billy!

BILLY. [Most irascibly.] Darn isn’t swearing. [Plaintively.] That’s the way you always put me off. I didn’t come all the way here for a train. I came for you. Now just answer me one thing. Do you want to marry me?