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Nevertheless, and notwithstanding these considerations, Fritz Napoleon Smith’s mode of life may well astonish one. His iron constitution is taxed to the utmost by the heavy strain that is put upon it. Vain the attempt to estimate the amount of labor he undergoes; an example alone can give an idea of it. Let us then go about with him for one day as he attends to his multifarious concernments. What day? That matters little; it is the same every day. Let us then take at random September 25th of this present year 2889.

This morning Mr. Fritz Napoleon Smith awoke in very bad humor. His wife having left for France eight days ago, he was feeling disconsolate. Incredible though it seems, in all the ten years since their marriage, this is the first time that Mrs. Edith Smith, the professional beauty, has been so long absent from home; two or three days usually suffice for her frequent trips to Europe. The first thing that Mr. Smith does is to connect his phonotelephote, the wires of which communicate with his Paris mansion. The telephote! Here is another of the great triumphs of science in our time. The transmission of speech is an old story; the transmission of images by means of sensitive mirrors connected by wires is a thing but of yesterday. A valuable invention indeed, and Mr. Smith this morning was not niggard of blessings for the inventor, when by its aid he was able distinctly to see his wife notwithstanding the distance that separated him from her. Mrs. Smith, weary after the ball or the visit to the theater the preceding night, is still abed, though it is near noontide at Paris. She is asleep, her head sunk in the lace-covered pillows. What? She stirs? Her lips move. She is dreaming perhaps? Yes, dreaming. She is talking, pronouncing a name his name–Fritz! The delightful vision gave a happier turn to Mr. Smith’s thoughts. And now, at the call of imperative duty, light-hearted he springs from his bed and enters his mechanical dresser.

Two minutes later the machine deposited him all dressed at the threshold of his office. The round of journalistic work was now begun. First he enters the hall of the novel-writers, a vast apartment crowned with an enormous transparent cupola. In one corner is a telephone, through which a hundred Earth Chronicle litterateurs in turn recount to the public in daily installments a hundred novels. Addressing one of these authors who was waiting his turn, “Capital! Capital! my dear fellow,” said he, “your last story. The scene where the village maid discusses interesting philosophical problems with her lover shows your very acute power of observation. Never have the ways of country folk been better portrayed. Keep on, my dear Archibald, keep on! Since yesterday, thanks to you, there is a gain of 5000 subscribers.”

“Mr. John Last,” he began again, turning to a new arrival, “I am not so well pleased with your work. Your story is not a picture of life; it lacks the elements of truth. And why? Simply because you run straight on to the end; because you do not analyze. Your heroes do this thing or that from this or that motive, which you assign without ever a thought of dissecting their mental and moral natures. Our feelings, you must remember, are far more complex than all that. In real life every act is the resultant of a hundred thoughts that come and go, and these you must study, each by itself, if you would create a living character. ‘But,’ you will say, ‘in order to note these fleeting thoughts one must know them, must be able to follow them in their capricious meanderings.’ Why, any child can do that, as you know. You have simply to make use of hypnotism, electrical or human, which gives one a two-fold being, setting free the witness-personality so that it may see, understand, and remember the reasons which determine the personality that acts. Just study yourself as you live from day to day, my dear Last. Imitate your associate whom I was complimenting a moment ago. Let yourself be hypnotized. What’s that? You have tried it already? Not sufficiently, then, not sufficiently!”