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The Vision Of The Maid Of Orleans: The First Book
by
For the truth of this theory there is the evidence of a Monkish miracle. When Thurcillus was about to follow St. Julian and visit the world of souls, his guide said to him, “let thy body rest in the bed for thy spirit only is about to depart with me; and lest the body should appear dead, I will send into it a vital breath.”
The body however by a strange sympathy was affected like the spirit; for when the foul and fetid smoke that arose from tithes witheld, had nearly suffocated Thurcillus, and made him cough twice, those who were near his body said that it coughed twice about the same time.
‘Matthew Paris’.]
[Footnote 3: The Bastille. The expression is in one of Fuller’s works, an Author from whose quaintness and ingenuity I have always found amusement, and sometimes assistance.]
[Footnote 4: These lines strongly resemble a passage in the Pharonnida of William Chamberlayne, a Poet who has told an interesting story in uncouth rhymes, and mingled sublimity of thought and beauty of expression, with the quaintest conceits, and most awkward inversions.
On a rock more high
Than Nature’s common surface, she beholds
The Mansion house of Fate, which thus unfolds
Its sacred mysteries. A trine within
A quadrate placed, both these encompast in
A perfect circle was its form; but what
Its matter was, for us to wonder at,
Is undiscovered left. A Tower there stands
At every angle, where Time’s fatal hands
The impartial PARCAE dwell; i’ the first she sees
CLOTHO the kindest of the Destinies,
From immaterial essences to cull
The seeds of life, and of them frame the wool
For LACHESIS to spin; about her flie
Myriads of souls, that yet want flesh to lie
Warm’d with their functions in, whose strength bestows
That power by which man ripe for misery grows.
Her next of objects was that glorious tower
Where that swift-fingered Nymph that spares no hour
From mortals’ service, draws the various threads
Of life in several lengths; to weary beds
Of age extending some, whilst others in
Their infancy are broke: ‘some blackt in sin,
Others, the favorites of Heaven, from whence
Their origin, candid with innocence;
Some purpled in afflictions, others dyed
In sanguine pleasures’: some in glittering pride
Spun to adorn the earth, whilst others wear
Rags of deformity, but knots of care
No thread was wholly free from. Next to this
Fair glorious tower, was placed that black abyss
Of dreadful ATROPOS, the baleful seat
Of death and horrour, in each room repleat
With lazy damps, loud groans, and the sad sight
Of pale grim Ghosts, those terrours of the night.
To this, the last stage that the winding clew
Of Life can lead mortality unto,
FEAR was the dreadful Porter, which let in
All guests sent thither by destructive sin.
It is possible that I may have written from the recollection of this passage. The conceit is the same, and I willingly attribute it to Chamberlayne, a Poet to whom I am indebted for many hours of delight, and whom I one day hope to rescue from undeserved oblivion.]