FullReads

Orleans was hush’d in sleep. Stretch’d on her couch
The delegated Maiden lay: with toil
Exhausted and sore anguish, soon she closed
Her heavy eye-lids; not reposing then,
For busy Phantasy, in other scenes
Awakened. Whether that superior powers,
By wise permission, prompt the midnight dream,
Instructing so the passive [1] faculty;
Or that the soul, escaped its fleshly clog,
Flies free, and soars amid the invisible world,
And all things ‘are’ that [2] ‘seem’.

Along a moor,
Barren, and wide, and drear, and desolate,
She roam’d a wanderer thro’ the cheerless night.
Far thro’ the silence of the unbroken plain
The bittern’s boom was heard, hoarse, heavy, deep,
It made most fitting music to the scene.
Black clouds, driven fast before the stormy wind,
Swept shadowing; thro’ their broken folds the moon
Struggled sometimes with transitory ray,
And made the moving darkness visible.
And now arrived beside a fenny lake
She stands: amid its stagnate waters, hoarse
The long sedge rustled to the gales of night.
An age-worn bark receives the Maid, impell’d
By powers unseen; then did the moon display
Where thro’ the crazy vessel’s yawning side
The muddy wave oozed in: a female guides,
And spreads the sail before the wind, that moan’d
As melancholy mournful to her ear,
As ever by the dungeon’d wretch was heard
Howling at evening round the embattled towers
Of that hell-house [3] of France, ere yet sublime
The almighty people from their tyrant’s hand
Dash’d down the iron rod.
Intent the Maid
Gazed on the pilot’s form, and as she gazed
Shiver’d, for wan her face was, and her eyes
Hollow, and her sunk cheeks were furrowed deep,
Channell’d by tears; a few grey locks hung down
Beneath her hood: then thro’ the Maiden’s veins
Chill crept the blood, for, as the night-breeze pass’d,
Lifting her tattcr’d mantle, coil’d around
She saw a serpent gnawing at her heart.

The plumeless bat with short shrill note flits by,
And the night-raven’s scream came fitfully,
Borne on the hollow blast. Eager the Maid
Look’d to the shore, and now upon the bank
Leaps, joyful to escape, yet trembling still
In recollection.

There, a mouldering pile
Stretch’d its wide ruins, o’er the plain below
Casting a gloomy shade, save where the moon
Shone thro’ its fretted windows: the dark Yew,
Withering with age, branched there its naked roots,
And there the melancholy Cypress rear’d
Its head; the earth was heav’d with many a mound,
And here and there a half-demolish’d tomb.

And now, amid the ruin’s darkest shade,
The Virgin’s eye beheld where pale blue flames
Rose wavering, now just gleaming from the earth,
And now in darkness drown’d. An aged man
Sat near, seated on what in long-past days
Had been some sculptur’d monument, now fallen
And half-obscured by moss, and gathered heaps
Of withered yew-leaves and earth-mouldering bones;
And shining in the ray was seen the track
Of slimy snail obscene. Composed his look,
His eye was large and rayless, and fix’d full
Upon the Maid; the blue flames on his face
Stream’d a pale light; his face was of the hue
Of death; his limbs were mantled in a shroud.

Then with a deep heart-terrifying voice,
Exclaim’d the Spectre, “Welcome to these realms,
These regions of DESPAIR! O thou whose steps
By GRIEF conducted to these sad abodes
Have pierced; welcome, welcome to this gloom
Eternal, to this everlasting night,
Where never morning darts the enlivening ray,
Where never shines the sun, but all is dark,
Dark as the bosom of their gloomy King.”