PAGE 2
The Panorama
by
Then, with a burst of music, touching all
The keys of thrifty life,–the mill-stream’s fall,
The engine’s pant along its quivering rails,
The anvil’s ring, the measured beat of flails,
The sweep of scythes, the reaper’s whistled tune,
Answering the summons of the bells of noon,
The woodman’s hail along the river shores,
The steamboat’s signal, and the dip of oars
Slowly the curtain rose from off a land
Fair as God’s garden. Broad on either hand
The golden wheat-fields glimmered in the sun,
And the tall maize its yellow tassels spun.
Smooth highways set with hedge-rows living green,
With steepled towns through shaded vistas seen,
The school-house murmuring with its hive-like swarm,
The brook-bank whitening in the grist-mill’s storm,
The painted farm-house shining through the leaves
Of fruited orchards bending at its eaves,
Where live again, around the Western hearth,
The homely old-time virtues of the North;
Where the blithe housewife rises with the day,
And well-paid labor counts his task a play.
And, grateful tokens of a Bible free,
And the free Gospel of Humanity,
Of diverse-sects and differing names the shrines,
One in their faith, whate’er their outward signs,
Like varying strophes of the same sweet hymn
From many a prairie’s swell and river’s brim,
A thousand church-spires sanctify the air
Of the calm Sabbath, with their sign of prayer.
Like sudden nightfall over bloom and green
The curtain dropped: and, momently, between
The clank of fetter and the crack of thong,
Half sob, half laughter, music swept along;
A strange refrain, whose idle words and low,
Like drunken mourners, kept the time of woe;
As if the revellers at a masquerade
Heard in the distance funeral marches played.
Such music, dashing all his smiles with tears,
The thoughtful voyager on Ponchartrain hears,
Where, through the noonday dusk of wooded shores
The negro boatman, singing to his oars,
With a wild pathos borrowed of his wrong
Redeems the jargon of his senseless song.
“Look,” said the Showman, sternly, as he rolled
His curtain upward. “Fate’s reverse behold!”
A village straggling in loose disarray
Of vulgar newness, premature decay;
A tavern, crazy with its whiskey brawls,
With “Slaves at Auction!” garnishing its walls;
Without, surrounded by a motley crowd,
The shrewd-eyed salesman, garrulous and loud,
A squire or colonel in his pride of place,
Known at free fights, the caucus, and the race,
Prompt to proclaim his honor without blot,
And silence doubters with a ten-pace shot,
Mingling the negro-driving bully’s rant
With pious phrase and democratic cant,
Yet never scrupling, with a filthy jest,
To sell the infant from its mother’s breast,
Break through all ties of wedlock, home, and kin,
Yield shrinking girlhood up to graybeard sin;
Sell all the virtues with his human stock,
The Christian graces on his auction-block,
And coolly count on shrewdest bargains driven
In hearts regenerate, and in souls forgiven!
Look once again! The moving canvas shows
A slave plantation’s slovenly repose,
Where, in rude cabins rotting midst their weeds,
The human chattel eats, and sleeps, and breeds;
And, held a brute, in practice, as in law,
Becomes in fact the thing he’s taken for.
There, early summoned to the hemp and corn,
The nursing mother leaves her child new-born;
There haggard sickness, weak and deathly faint,
Crawls to his task, and fears to make complaint;
And sad-eyed Rachels, childless in decay,
Weep for their lost ones sold and torn away!
Of ampler size the master’s dwelling stands,
In shabby keeping with his half-tilled lands;
The gates unhinged, the yard with weeds unclean,
The cracked veranda with a tipsy lean.
Without, loose-scattered like a wreck adrift,
Signs of misrule and tokens of unthrift;
Within, profusion to discomfort joined,
The listless body and the vacant mind;
The fear, the hate, the theft and falsehood, born
In menial hearts of toil, and stripes, and scorn
There, all the vices, which, like birds obscene,
Batten on slavery loathsome and unclean,
From the foul kitchen to the parlor rise,
Pollute the nursery where the child-heir lies,
Taint infant lips beyond all after cure,
With the fell poison of a breast impure;
Touch boyhood’s passions with the breath of flame,
From girlhood’s instincts steal the blush of shame.
So swells, from low to high, from weak to strong,
The tragic chorus of the baleful wrong;
Guilty or guiltless, all within its range
Feel the blind justice of its sure revenge.