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XLVI

Whom all so soone as that proud Sarazin
Espide, he gan revive the memory
Of his lewd lusts, and late attempted sin,
And left the doubtfull battell hastily,
To catch her, newly offred to his eie: 405
But Satyrane with strokes him turning, staid,
And sternely bad him other businesse plie,
Then hunt the steps of pure unspotted Maid:
Wherewith he all enrag’d, these bitter speaches said.

XLVII

O foolish faeries son, what fury mad 410
Hath thee incenst, to hast thy doefull fate?
Were it not better I that Lady had,
Then that thou hadst repented it too late?
Most senseless man he, that himselfe doth hate
To love another. Lo then for thine ayd 415
Here take thy lovers token on thy pate.[*]
So they two fight; the whiles the royall Mayd
Fledd farre away, of that proud Paynim sore afrayd.

XLVIII

But that false Pilgrim, which that leasing told,
Being in deed old Archimage, did stay 420
In secret shadow, all this to behold,
And much rejoiced in their bloudy fray:
But when he saw the Damsell passe away,
He left his stond, and her pursewd apace,
In hope to bring her to her last decay,[*] 425
But for to tell her lamentable cace,[*]
And eke this battels end, will need another place.

NOTES:

CANTO VI

I. The Plot: (Continuation of Canto III). Una is delivered from Sansloy by a band of Satyrs. She remains with them as their teacher. There a knight of the wild-wood, Sir Satyrane, discovers her, and by his assistance, Una succeeds in making her way out of the forest to the plain. On the way they meet Archimago, disguised as a pilgrim, and he deceives them and leads them to Sansloy. While Sir Satyrane and Sansloy are engaged in a bloody battle, Una flees. She is pursued by Archimago but makes her escape.

II. The Allegory: 1. Truth is saved from destruction by Lawless Violence (Sansloy) by the aid of Barbarism or Savage Instinct, which terrorizes Lawlessness but offers natural homage to Truth. Truth finds a temporary home among Ignorant and Rude Folk (Satyrs) and in return imparts divine truth to their unregenerate minds. Natural Heroism or Manly Courage (Sir Satyrane) sides with Truth and defends it against Lawlessness.

2. The religious allegory signifies the extension of Protestantism through the outlying rural districts of England and in Ireland. Upton thinks that Sir Satyrane represents “Sir John Perrot, whose behaviour, though honest, was too coarse and rude for a court. ‘Twas well known that he was a son of Henry VIII.” Holinshed says that as Lord President of Munster, Sir John secured such peace and security that a man might travel in Ireland with a white stick only in his hand.

16. FROM ONE TO OTHER YND, from the East to the West Indies.

61. A TROUPE OF FAUNES AND SATYRES. The Fauns were the wood-gods of the Romans, the Satyrs the wood-gods of the Greeks. They were half human, half goat, and represented the luxuriant powers of nature.

63. OLD SYLVANUS, the Roman god of fields and woods, young and fond of animal pleasures. Spenser represents him as a feeble but sensuous old man.

90. WITH CHAUNGE OF FEARE, from the wolf to the lion.