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LII

Your owne deare sake forst me at first to leave 460
My Fathers kingdome–There she stopt with teares;
Her swollen hart her speech seemd to bereave,
And then againe begun; My weaker yeares
Captiv’d to fortune and frayle worldly feares,
Fly to your fayth for succour and sure ayde: 465
Let me not dye in languor and long teares.
Why Dame (quoth he) what hath ye thus dismayd?
What frayes ye, that were wont to comfort me affrayd?

LIII

Love of your selfe, she saide, and deare constraint,
Lets me not sleepe, but wast the wearie night 470
In secret anguish and unpittied plaint,
Whiles you in carelesse sleepe are drowned quight.
Her doubtfull words made that redoubted knight
Suspect her truth: yet since no’ untruth he knew,
Her fawning love with foule disdainefull spight 475
He would not shend; but said, Deare dame I rew,
That for my sake unknowne such griefe unto you grew.

LIV

Assure your selfe, it fell not all to ground;[*]
For all so deare as life is to my hart,
I deeme your love, and hold me to you bound: 480
Ne let vaine feares procure your needlesse smart,
Where cause is none, but to your rest depart.
Not all content, yet seemd she to appease
Her mournefull plaintes, beguiled of her art,
And fed with words that could not chuse but please, 485
So slyding softly forth, she turned as to her ease.

LV

Long after lay he musing at her mood,
Much griev’d to thinke that gentle Dame so light,
For whose defence he was to shed his blood.
At last, dull wearinesse of former fight 490
Having yrockt asleepe his irkesome spright,
That troublous dreame gan freshly tosse his braine,
With bowres, and beds, and Ladies deare delight:
But when he saw his labour all was vaine,
With that misformed spright he backe returnd againe. 495

NOTES:

CANTO I

I. The Plot: At the bidding of Gloriana, the Redcross Knight undertakes to deliver Una’s parents from a dragon who holds them captive. He sets out upon his quest attended by a dwarf and guided by Una, mounted on an ass and leading a lamb. They are driven by a storm into a forest, where they discover the cave of Error, who is slain by the Knight. They are then beguiled into the house of Archimago, an old enchanter. By his magic he leads the Knight in a dream to believe that Una is false to him, and thus separates them.

II. The Allegory: 1. Holiness, the love of God, united with Truth, the knowledge of God, is to deliver man from the thraldom of the Devil. Together they are able to overthrow Error; but Hypocrisy deceitfully alienates Holiness from Truth by making the latter appear unworthy of love.

2. There is a hint of the intrigues of the false Roman church and the treacherous Spanish king, Philip II, to undermine the religious and political freedom of the English people. The English nation, following the Reformed church, overthrows the Catholic faith, but is deceived by the machinations of Spanish diplomacy.

LINE 1. A GENTLE KNIGHT, the Redcross Knight, representing the church militant, and Reformed England. He is the young, untried champion of the old cause whose struggles before the Reformation are referred to in ll. 3, 4. His shield bore “a cross gules upon a field argent,” a red cross on a silver ground. See The Birth of St. George in Percy’s Reliques, iii, 3, and Malory’s Morte d’Arthur, iii, 65.