FullReads

I. UNDER THE TREES.

There had been phantoms, pale-remembered shapes
Of this and this occasion, sisterly
In their resemblances, each effigy
Crowned with the same bright hair above the nape’s
White rounded firmness, and each body alert
With such swift loveliness, that very rest
Seemed a poised movement: … phantoms that impressed
But a faint influence and could bless or hurt
No more than dreams. And these ghost things were she;
For formless still, without identity,
Not one she seemed, not clear, but many and dim.
One face among the legions of the street,
Indifferent mystery, she was for him
Something still uncreated, incomplete.

II.

Bright windy sunshine and the shadow of cloud
Quicken the heavy summer to new birth
Of life and motion on the drowsing earth;
The huge elms stir, till all the air is loud
With their awakening from the muffled sleep
Of long hot days. And on the wavering line
That marks the alternate ebb of shade and shine,
Under the trees, a little group is deep
In laughing talk. The shadow as it flows
Across them dims the lustre of a rose,
Quenches the bright clear gold of hair, the green
Of a girl’s dress, and life seems faint. The light
Swings back, and in the rose a fire is seen,
Gold hair’s aflame and green grows emerald bright.

III.

She leans, and there is laughter in the face
She turns towards him; and it seems a door
Suddenly opened on some desolate place
With a burst of light and music. What before
Was hidden shines in loveliness revealed.
Now first he sees her beautiful, and knows
That he must love her; and the doom is sealed
Of all his happiness and all the woes
That shall be born of pregnant years hereafter.
The swift poise of a head, a flutter of laughter–
And love flows in on him, its vastness pent
Within his narrow life: the pain it brings,
Boundless; for love is infinite discontent
With the poor lonely life of transient things.

IV.

Men see their god, an immanence divine,
Smile through the curve of flesh or moulded clay,
In bare ploughed lands that go sloping away
To meet the sky in one clean exquisite line.
Out of the short-seen dawns of ecstasy
They draw new beauty, whence new thoughts are born
And in their turn conceive, as grains of corn
Germ and create new life and endlessly
Shall live creating. Out of earthly seeds
Springs the aerial flower. One spirit proceeds
Through change, the same in body and in soul–
The spirit of life and love that triumphs still
In its slow struggle towards some far-off goal
Through lust and death and the bitterness of will.

V.

One spirit it is that stirs the fathomless deep
Of human minds, that shakes the elms in storm,
That sings in passionate music, or on warm
Still evenings bosoms forth the tufted sleep
Of thistle-seeds that wait a travelling wind.
One spirit shapes the subtle rhythms of thought
And the long thundering seas; the soul is wrought
Of one stuff with the body–matter and mind
Woven together in so close a mesh
That flowers may blossom into a song, that flesh
May strangely teach the loveliest holiest things
To watching spirits. Truth is brought to birth
Not in some vacant heaven: its beauty springs
From the dear bosom of material earth.

VI. IN THE HAY-LOFT.

The darkness in the loft is sweet and warm
With the stored hay … darkness intensified
By one bright shaft that enters through the wide
Tall doors from under fringes of a storm
Which makes the doomed sun brighter. On the hay,
Perched mountain-high they sit, and silently
Watch the motes dance and look at the dark sky
And mark how heartbreakingly far away
And yet how close and clear the distance seems,
While all at hand is cloud–brightness of dreams
Unrealisable, yet seen so clear,
So only just beyond the dark. They wait,
Scarce knowing what they wait for, half in fear;
Expectance draws the curtain from their fate.