FullReads

With pipes of peace and bows unstrung,
Glowing with paint came old and young,
In wampum and furs and feathers arrayed,
To the dance and feast the Bashaba made.

Bird of the air and beast of the field,
All which the woods and the waters yield,
On dishes of birch and hemlock piled,
Garnished and graced that banquet wild.

Steaks of the brown bear fat and large
From the rocky slopes of the Kearsarge;
Delicate trout from Babboosuck brook,
And salmon speared in the Contoocook;

Squirrels which fed where nuts fell thick
in the gravelly bed of the Otternic;
And small wild-hens in reed-snares caught
from the banks of Sondagardee brought;

Pike and perch from the Suncook taken,
Nuts from the trees of the Black Hills shaken,
Cranberries picked in the Squamscot bog,
And grapes from the vines of Piscataquog:

And, drawn from that great stone vase which stands
In the river scooped by a spirit’s hands,[4]
Garnished with spoons of shell and horn,
Stood the birchen dishes of smoking corn.

Thus bird of the air and beast of the field,
All which the woods and the waters yield,
Furnished in that olden day
The bridal feast of the Bashaba.

And merrily when that feast was done
On the fire-lit green the dance begun,
With squaws’ shrill stave, and deeper hum
Of old men beating the Indian drum.

Painted and plumed, with scalp-locks flowing,
And red arms tossing and black eyes glowing,
Now in the light and now in the shade
Around the fires the dancers played.

The step was quicker, the song more shrill,
And the beat of the small drums louder still
Whenever within the circle drew
The Saugus Sachem and Weetamoo.

The moons of forty winters had shed
Their snow upon that chieftain’s head,
And toil and care and battle’s chance
Had seamed his hard, dark countenance.

A fawn beside the bison grim,–
Why turns the bride’s fond eye on him,
In whose cold look is naught beside
The triumph of a sullen pride?

Ask why the graceful grape entwines
The rough oak with her arm of vines;
And why the gray rock’s rugged cheek
The soft lips of the mosses seek.

Why, with wise instinct, Nature seems
To harmonize her wide extremes,
Linking the stronger with the weak,
The haughty with the soft and meek!

V. THE NEW HOME.
A wild and broken landscape, spiked with firs,
Roughening the bleak horizon’s northern edge;
Steep, cavernous hillsides, where black hemlock
spurs
And sharp, gray splinters of the wind-swept
ledge
Pierced the thin-glazed ice, or bristling rose,
Where the cold rim of the sky sunk down upon
the snows.

And eastward cold, wide marshes stretched away,
Dull, dreary flats without a bush or tree,
O’er-crossed by icy creeks, where twice a day
Gurgled the waters of the moon-struck sea;
And faint with distance came the stifled roar,
The melancholy lapse of waves on that low shore.

No cheerful village with its mingling smokes,
No laugh of children wrestling in the snow,
No camp-fire blazing through the hillside oaks,
No fishers kneeling on the ice below;
Yet midst all desolate things of sound and view,
Through the long winter moons smiled dark-eyed
Weetamoo.

Her heart had found a home; and freshly all
Its beautiful affections overgrew
Their rugged prop. As o’er some granite wall
Soft vine-leaves open to the moistening dew
And warm bright sun, the love of that young wife
Found on a hard cold breast the dew and warmth
of life.

The steep, bleak hills, the melancholy shore,
The long, dead level of the marsh between,
A coloring of unreal beauty wore
Through the soft golden mist of young love seen.
For o’er those hills and from that dreary plain,
Nightly she welcomed home her hunter chief again.