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A laugh which in the woodland rang
Bemocking April’s gladdest bird,–
A light and graceful form which sprang
To meet him when his step was heard,–
Eyes by his lodge-fire flashing dark,
Small fingers stringing bead and shell
Or weaving mats of bright-hued bark,–
With these the household-god [3] had graced
his wigwam well.

Child of the forest! strong and free,
Slight-robed, with loosely flowing hair,
She swam the lake or climbed the tree,
Or struck the flying bird in air.
O’er the heaped drifts of winter’s moon
Her snow-shoes tracked the hunter’s way;
And dazzling in the summer noon
The blade of her light oar threw off its shower
of spray!

Unknown to her the rigid rule,
The dull restraint, the chiding frown,
The weary torture of the school,
The taming of wild nature down.
Her only lore, the legends told
Around the hunter’s fire at night;
Stars rose and set, and seasons rolled,
Flowers bloomed and snow-flakes fell, unquestioned
in her sight.

Unknown to her the subtle skill
With which the artist-eye can trace
In rock and tree and lake and hill
The outlines of divinest grace;
Unknown the fine soul’s keen unrest,
Which sees, admires, yet yearns alway;
Too closely on her mother’s breast
To note her smiles of love the child of Nature lay!

It is enough for such to be
Of common, natural things a part,
To feel, with bird and stream and tree,
The pulses of the same great heart;
But we, from Nature long exiled,
In our cold homes of Art and Thought
Grieve like the stranger-tended child,
Which seeks its mother’s arms, and sees but feels
them not.

The garden rose may richly bloom
In cultured soil and genial air,
To cloud the light of Fashion’s room
Or droop in Beauty’s midnight hair;
In lonelier grace, to sun and dew
The sweetbrier on the hillside shows
Its single leaf and fainter hue,
Untrained and wildly free, yet still a sister rose!

Thus o’er the heart of Weetamoo
Their mingling shades of joy and ill
The instincts of her nature threw;
The savage was a woman still.
Midst outlines dim of maiden schemes,
Heart-colored prophecies of life,
Rose on the ground of her young dreams
The light of a new home, the lover and the wife.

IV. THE WEDDING.
Cool and dark fell the autumn night,
But the Bashaba’s wigwam glowed with light,
For down from its roof, by green withes hung,
Flaring and smoking the pine-knots swung.

And along the river great wood-fires
Shot into the night their long, red spires,
Showing behind the tall, dark wood,
Flashing before on the sweeping flood.

In the changeful wind, with shimmer and shade,
Now high, now low, that firelight played,
On tree-leaves wet with evening dews,
On gliding water and still canoes.

The trapper that night on Turee’s brook,
And the weary fisher on Contoocook,
Saw over the marshes, and through the pine,
And down on the river, the dance-lights shine.
For the Saugus Sachem had come to woo
The Bashaba’s daughter Weetamoo,
And laid at her father’s feet that night
His softest furs and wampum white.

From the Crystal Hills to the far southeast
The river Sagamores came to the feast;
And chiefs whose homes the sea-winds shook
Sat down on the mats of Pennacook.

They came from Sunapee’s shore of rock,
From the snowy sources of Snooganock,
And from rough Coos whose thick woods shake
Their pine-cones in Umbagog Lake.

From Ammonoosuc’s mountain pass,
Wild as his home, came Chepewass;
And the Keenomps of the bills which throw
Their shade on the Smile of Manito.