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“Confess, old friend, your austere school
Has left your fancy little chance;
You square to reason’s rigid rule
The flowing outlines of romance.
With conscience keen from exercise,
And chronic fear of compromise,
You check the free play of your rhymes, to clap
A moral underneath, and spring it like a trap.”

The sweet voice answered: “Better so
Than bolder flights that know no check;
Better to use the bit, than throw
The reins all loose on fancy’s neck.
The liberal range of Art should be
The breadth of Christian liberty,
Restrained alone by challenge and alarm
Where its charmed footsteps tread the border land of harm.

“Beyond the poet’s sweet dream lives
The eternal epic of the man.
He wisest is who only gives,
True to himself, the best he can;
Who, drifting in the winds of praise,
The inward monitor obeys;
And, with the boldness that confesses fear,
Takes in the crowded sail, and lets his conscience steer.

“Thanks for the fitting word he speaks,
Nor less for doubtful word unspoken;
For the false model that he breaks,
As for the moulded grace unbroken;
For what is missed and what remains,
For losses which are truest gains,
For reverence conscious of the Eternal eye,
And truth too fair to need the garnish of a lie.”

Laughing, the Critic bowed. “I yield
The point without another word;
Who ever yet a case appealed
Where beauty’s judgment had been heard?
And you, my good friend, owe to me
Your warmest thanks for such a plea,
As true withal as sweet. For my offence
Of cavil, let her words be ample recompense.”

Across the sea one lighthouse star,
With crimson ray that came and went,
Revolving on its tower afar,
Looked through the doorway of the tent.
While outward, over sand-slopes wet,
The lamp flashed down its yellow jet
On the long wash of waves, with red and green
Tangles of weltering weed through the white foam-wreaths seen.

“Sing while we may,–another day
May bring enough of sorrow;’–thus
Our Traveller in his own sweet lay,
His Crimean camp-song, hints to us,”
The lady said. “So let it be;
Sing us a song,” exclaimed all three.
She smiled: “I can but marvel at your choice
To hear our poet’s words through my poor borrowed voice.”

. . . . .

Her window opens to the bay,
On glistening light or misty gray,
And there at dawn and set of day
In prayer she kneels.

“Dear Lord!” she saith, “to many a borne
From wind and wave the wanderers come;
I only see the tossing foam
Of stranger keels.

“Blown out and in by summer gales,
The stately ships, with crowded sails,
And sailors leaning o’er their rails,
Before me glide;
They come, they go, but nevermore,
Spice-laden from the Indian shore,
I see his swift-winged Isidore
The waves divide.

“O Thou! with whom the night is day
And one the near and far away,
Look out on yon gray waste, and say
Where lingers he.
Alive, perchance, on some lone beach
Or thirsty isle beyond the reach
Of man, he hears the mocking speech
Of wind and sea.

“O dread and cruel deep, reveal
The secret which thy waves conceal,
And, ye wild sea-birds, hither wheel
And tell your tale.
Let winds that tossed his raven hair
A message from my lost one bear,–
Some thought of me, a last fond prayer
Or dying wail!

“Come, with your dreariest truth shut out
The fears that haunt me round about;
O God! I cannot bear this doubt
That stifles breath.
The worst is better than the dread;
Give me but leave to mourn my dead
Asleep in trust and hope, instead
Of life in death!”

It might have been the evening breeze
That whispered in the garden trees,
It might have been the sound of seas
That rose and fell;
But, with her heart, if not her ear,
The old loved voice she seemed to hear
“I wait to meet thee: be of cheer,
For all is well!”
1865

. . . . .

The sweet voice into silence went,
A silence which was almost pain
As through it rolled the long lament,
The cadence of the mournful main.
Glancing his written pages o’er,
The Reader tried his part once more;
Leaving the land of hackmatack and pine
For Tuscan valleys glad with olive and with vine.