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Michael Oaktree
by
But Michael Oaktree was a man whose love
Had never waned through all his eighty years.
His faith was hardly faith. He seemed a part
Of all that he believed in. He had lived
In constant conversation with the sun,
The wind, the silence and the heart of peace;
In absolute communion with the Power
That rules all action and all tides of thought,
And all the secret courses of the stars;
The Power that still establishes on earth
Desire and worship, through the radiant laws
Of Duty, Love and Beauty; for through these
As through three portals of the self-same gate
The soul of man attains infinity,
And enters into Godhead. So he gained
On earth a fore-taste of Nirvana, not
The void of eastern dream, but the desire
And goal of all of us, whether thro’ lives
Innumerable, by slow degrees, we near
The death divine, or from this breaking body
Of earthly death we flash at once to God.
Through simple love and simple faith, this man
Attained a height above the hope of kings.
Yet, as I softly shut the little gate
And walked across the garden, all the scents
Of mingling blossom ached like inmost pain
Deep in my heart, I know not why. They seemed
Distinct, distinct as distant evening bells
Tolling, over the sea, a secret chime
That breaks and breaks and breaks upon the heart
In sorrow rather than in sound, a chime
Strange as a streak of sunset to the moon,
Strange as a rose upon a starlit grave,
Strange as a smile upon a dead man’s lips;
A chime of melancholy, mute as death
But strong as love, uttered in plangent tones
Of honeysuckle, jasmine, gilly-flowers,
Jonquils and aromatic musky leaves,
Lilac and lilies to the rose-wreathed porch.
At last I tapped and entered and was drawn
Into the bedroom of the dying man,
Who lay, propped up with pillows, quietly
Gazing; for through his open casement far
Beyond the whispers of the gilly-flowers
He saw the mellow light of eventide
Hallow the west once more; and, as he gazed,
I think I never saw so great a peace
On any human face. There was no sound
Except the slumbrous pulsing of a clock,
The whisper of the garden and, far off,
The sacred consolation of the sea.
His wife sat at his bed-side: she had passed
Her eightieth year; her only child was dead.
She had been wedded more than sixty years,
And she sat gazing with the man she loved
Quietly, out into that unknown Deep.
A butterfly floated into the room
And back again, pausing awhile to bask
And wink its painted fans on the warm sill;
A bird piped in the roses and there came
Into the childless mother’s ears a sound
Of happy laughing children, far away.
Then Michael Oaktree took his wife’s thin hand
Between his big rough hands. His eyes grew dark,
And, as he turned to her and died, he spoke
Two words of perfect faith and love–Come soon!
O then in all the world there was no sound
Except the slumbrous pulsing of a clock,
The whisper of the leaves and far away,
The infinite compassion of the sea.
But, as I softly passed out of the porch
And walked across the garden, all the scents
Of mingling blossoms ached like inmost joy,
Distinct no more, but like one heavenly choir
Pealing one mystic music, still and strange
As voices of the holy Seraphim,
One voice of adoration, mute as love,
Stronger than death, and pure with wedded tones
Of honeysuckle, jasmine, gilly-flowers,
Jonquils and aromatic musky leaves,
Lilac and lilies to the garden gate.