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PAGE 2

Epigrams
by [?]

* * * * *

Say what thou wilt, the young are happy never.
Give me bless’d Age, beyond the fire and fever,–
Past the delight that shatters, hope that stings,
And eager flutt’ring of life’s ignorant wings.

* * * * *

Onward the chariot of the Untarrying moves;
Nor day divulges him nor night conceals;
Thou hear’st the echo of unreturning hooves
And thunder of irrevocable wheels.

* * * * *

A deft musician does the breeze become
Whenever an AEolian harp it finds:
Hornpipe and hurdygurdy both are dumb
Unto the most musicianly of winds.

* * * * *

I follow Beauty; of her train am I:
Beauty whose voice is earth and sea and air;
Who serveth, and her hands for all things ply;
Who reigneth, and her throne is everywhere.

* * * * *

Toiling and yearning, ’tis man’s doom to see
No perfect creature fashion’d of his hands.
Insulted by a flower’s immaculacy,
And mock’d at by the flawless stars he stands.

* * * * *

For metaphors of man we search the skies,
And find our allegory in all the air.
We gaze on Nature with Narcissus-eyes,
Enamour’d of our shadow everywhere.

* * * * *

One music maketh its occult abode
In all things scatter’d from great Beauty’s hand;
And evermore the deepest words of God
Are yet the easiest to understand.

* * * * *

Enough of mournful melodies, my lute!
Be henceforth joyous, or be henceforth mute.
Song’s breath is wasted when it does but fan
The smouldering infelicity of man.

* * * * *

I pluck’d this flower, O brighter flower, for thee,
There where the river dies into the sea.
To kiss it the wild west wind hath made free:
Kiss it thyself and give it back to me.

* * * * *

To be as this old elm full loth were I,
That shakes in the autumn storm its palsied head.
Hewn by the weird last woodman let me lie
Ere the path rustle with my foliage shed.

* * * * *

Ah, vain, thrice vain in the end, thy hate and rage,
And the shrill tempest of thy clamorous page.
True poets but transcendent lovers be,
And one great love-confession poesy.

* * * * *

His rhymes the poet flings at all men’s feet,
And whoso will may trample on his rhymes.
Should Time let die a song that’s true and sweet,
The singer’s loss were more than match’d by Time’s.

* * * * *

ON LONGFELLOW’S DEATH

No puissant singer he, whose silence grieves
To-day the great West’s tender heart and strong;
No singer vast of voice: yet one who leaves
His native air the sweeter for his song.

* * * * *

BYRON THE VOLUPTUARY

Too avid of earth’s bliss, he was of those
Whom Delight flies because they give her chase.
Only the odour of her wild hair blows
Back in their faces hungering for her face.

* * * * *

ANTONY AT ACTIUM

He holds a dubious balance:–yet that scale,
Whose freight the world is, surely shall prevail?
No; Cleopatra droppeth into this
One counterpoising orient sultry kiss.

* * * * *

ART

The thousand painful steps at last are trod,
At last the temple’s difficult door we win;
But perfect on his pedestal, the god
Freezes us hopeless when we enter in.

* * * * *

KEATS

He dwelt with the bright gods of elder time,
On earth and in their cloudy haunts above.
He loved them: and in recompense sublime,
The gods, alas! gave him their fatal love.

* * * * *

AFTER READING “TAMBURLAINE THE GREAT”

Your Marlowe’s page I close, my Shakspere’s ope.
How welcome–after gong and cymbal’s din–
The continuity, the long slow slope
And vast curves of the gradual violin!