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Daphnaida: An Elegie Upon The Death Of The Noble And Vertuous Douglas Howard
by
Then gan I him to comfort all my best, 190
And with milde counsaile strove to mitigate
The stormie passion of his troubled brest;
But he thereby was more empassionate,
As stubborne steed that is with curb restrained
Becomes more fierce and fervent in his gate, 195
And, breaking foorth at last, thus dearnely* plained:
[* Dearnely, sadly.]
I.
“What man henceforth that breatheth vitall aire
Will honour Heaven, or heavenly powers adore,
Which so uniustly doth their iudgements share
Mongst earthly wights, as to afflict so sore 200
The innocent as those which do transgresse,
And doe not spare the best or fairest more
Than worst or foulest, but doe both oppresse?
“If this be right, why did they then create
The world so faire, sith fairenesse is neglected? 205
Or why be they themselves immaculate,
If purest things be not by them respected?
She faire, she pure, most faire, most pure she was,
Yet was by them as thing impure reiected;
Yet she in purenesse heaven it self did pas. 210
“In purenesse, and in all celestiall grace
That men admire in goodly womankind,
She did excell, and seem’d of angels race,
Living on earth like angell new divinde*,
Adorn’d with wisedome and with chastitie, 215
And all the dowries of a noble mind,
Which did her beautie much more beautifie.
[* Divinde, deified.]
“No age hath bred (since faire Astraea left
The sinfull world) more vertue in a wight;
And, when she parted hence, with her she reft 220
Great hope, and robd her race of bounty* quight.
Well may the shepheard lasses now lament;
For doubble losse by her hath on them light,
To loose both her and bounties ornament.
[* Bounty, goodness.]
“Ne let Elisa, royall shepheardesse, 225
The praises of my parted* love envy,
For she hath praises in all plenteousnesse
Powr’d upon her, like showers of Castaly,
By her owne shepheard, Colin, her own shepheard,
That her with heavenly hymnes doth deifie, 230
Of rusticke Muse full hardly to be betterd.
[* Parted, departed.]
“She is the rose, the glory of the day,
And mine the primrose in the lowly shade:
Mine? ah, not mine! amisse I mine did say:
Not mine, but His which mine awhile her made; 235
Mine to be-his, with him to live for ay.
O that so faire a flowre so soon should fade,
And through untimely tempest fall away!
“She fell away in her first ages spring,
Whilst yet her leafe was greene, and fresh her rinde;
And whilst her braunch faire blossomes foorth did bring, 241
She fell away against all course of kinde*.
For age to dye is right, but youth is wrong;
She fell away like fruit blowne down with winde.
Weepe, Shepheard! weepe, to make my undersong**.
[* Kinde, nature.]
[** Undersong, accompaniment.]