PAGE 11
Casa Guidi Windows
by
Come, appear, be found,
If pope or peasant, come! we hear the cock,
The courtier of the mountains when first crowned
With golden dawn; and orient glories flock
To meet the sun upon the highest ground.
Take voice and work! we wait to hear thee knock
At some one of our Florentine nine gates,
On each of which was imaged a sublime
Face of a Tuscan genius, which, for hate’s
And love’s sake, both, our Florence in her prime
Turned boldly on all comers to her states,
As heroes turned their shields in antique time
Emblazoned with honourable acts. And though
The gates are blank now of such images,
And Petrarch looks no more from Nicolo
Toward dear Arezzo, ‘twixt the acacia-trees,
Nor Dante, from gate Gallo–still we know,
Despite the razing of the blazonries,
Remains the consecration of the shield:
The dead heroic faces will start out
On all these gates, if foes should take the field,
And blend sublimely, at the earliest shout,
With living heroes who will scorn to yield
A hair’s-breadth even, when, gazing round about,
They find in what a glorious company
They fight the foes of Florence. Who will grudge
His one poor life, when that great man we see
Has given five hundred years, the world being judge,
To help the glory of his Italy?
Who, born the fair side of the Alps, will budge,
When Dante stays, when Ariosto stays,
When Petrarch stays for ever? Ye bring swords,
My Tuscans? Ay, if wanted in this haze,
Bring swords: but first bring souls!–bring thoughts and words,
Unrusted by a tear of yesterday’s,
Yet awful by its wrong,–and cut these cords,
And mow this green lush falseness to the roots,
And shut the mouth of hell below the swathe!
And, if ye can bring songs too, let the lute’s
Recoverable music softly bathe
Some poet’s hand, that, through all bursts and bruits
Of popular passion, all unripe and rathe
Convictions of the popular intellect,
Ye may not lack a finger up the air,
Annunciative, reproving, pure, erect,
To show which way your first Ideal bare
The whiteness of its wings when (sorely pecked
By falcons on your wrists) it unaware
Arose up overhead and out of sight.
Meanwhile, let all the far ends of the world
Breathe back the deep breath of their old delight,
To swell the Italian banner just unfurled.
Help, lands of Europe! for, if Austria fight,
The drums will bar your slumber. Had ye curled
The laurel for your thousand artists’ brows,
If these Italian hands had planted none?
Can any sit down idle in the house
Nor hear appeals from Buonarroti’s stone
And Raffael’s canvas, rousing and to rouse?
Where’s Poussin’s master? Gallic Avignon
Bred Laura, and Vaucluse’s fount has stirred
The heart of France too strongly, as it lets
Its little stream out (like a wizard’s bird
Which bounds upon its emerald wing and wets
The rocks on each side), that she should not gird
Her loins with Charlemagne’s sword when foes beset
The country of her Petrarch. Spain may well
Be minded how from Italy she caught,
To mingle with her tinkling Moorish bell,
A fuller cadence and a subtler thought.
And even the New World, the receptacle
Of freemen, may send glad men, as it ought,
To greet Vespucci Amerigo’s door.
While England claims, by trump of poetry,
Verona, Venice, the Ravenna-shore,
And dearer holds John Milton’s Fiesole
Than Langland’s Malvern with the stars in flower.