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PAGE 2

Behind The Arras
by [?]

Strangest of all, they never rest. Day long
They shift and throng,
Moved by invisible will,
Like a great breath which puffs across my sill,
And then is still;

It shakes my lovely manikins on the wall;
Squall after squall,
Gust upon crowding gust,
It sweeps them willy nilly like blown dust
With glory or lust.

It is the world-ghost, the time-spirit, come
None knows where from,
The viewless draughty tide
And wash of being. I hear it yaw and glide,
And then subside,

Along these ghostly corridors and halls
Like faint footfalls;
The hangings stir in the air;
And when I start and challenge, “Who goes there?”
It answers, “Where?”

The wail and sob and moan of the sea’s dirge,
Its plangor and surge;
The awful biting sough
Of drifted snows along some arctic bluff,
That veer and luff,

And have the vacant boding human cry,
As they go by;–
Is it a banished soul
Dredging the dark like a distracted mole
Under a knoll?

Like some invisible henchman old and gray,
Day after day
I hear it come and go,
With stealthy swift unmeaning to and fro,
Muttering low,

Ceaseless and daft and terrible and blind,
Like a lost mind.
I often chill with fear
When I bethink me, What if it should peer
At my shoulder here!

Perchance he drives the merry-go-round whose track
Is the zodiac;
His name is No-man’s-friend;
And his gabbling parrot-talk has neither trend,
Beginning, nor end.

A prince of madness too, I’d cry, “A rat!”
And lunge thereat,–
Let out at one swift thrust
The cunning arch-delusion of the dust
I so mistrust,

But that I fear I should disclose a face
Wearing the trace
Of my own human guise,
Piteous, unharmful, loving, sad, and wise,
With the speaking eyes.

I would the house were rid of his grim pranks,
Moaning from banks
Of pine trees in the moon,
Startling the silence like a demoniac loon
At dead of noon,

Or whispering his fool-talk to the leaves
About my eaves.
And yet how can I know
‘T is not a happy Ariel masking so
In mocking woe?

Then with a little broken laugh I say,
Snatching away
The curtain where he grinned
(My feverish sight thought) like a sin unsinned,
“Only the wind!”

Yet often too he steals so softly by,
With half a sigh,
I deem he must be mild,
Fair as a woman, gentle as a child,
And forest wild.

Passing the door where an old wind-harp swings,
With its five strings,
Contrived long years ago
By my first predecessor bent to show
His handcraft so,

He lays his fingers on the aeolian wire,
As a core of fire
Is laid upon the blast
To kindle and glow and fill the purple vast
Of dark at last.

Weird wise and low, piercing and keen and glad,
Or dim and sad
As a forgotten strain
Born when the broken legions of the rain
Swept through the plain–

He plays, like some dread veiled mysteriarch,
Lighting the dark,
Bidding the spring grow warm,
The gendering merge and loosing of spirit in form,
Peace out of storm.

For music is the sacrament of love;
He broods above
The virgin silence, till
She yields for rapture shuddering, yearning still
To his sweet will.

I hear him sing, “Your harp is like a mesh,
Woven of flesh
And spread within the shoal
Of life, where runs the tide-race of the soul
In my control.

“Though my wild way may ruin what it bends,
It makes amends
To the frail downy clocks,
Telling their seed a secret that unlocks
The granite rocks.