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In those troublesome dreams he saw Audley Court, rooted up from amidst the green pastures and the shady hedgerows of Essex, standing bare and unprotected upon that desolate northern shore, threatened by the rapid rising of a boisterous sea, whose waves seemed gathering upward to descend and crush the house he loved. As the hurrying waves rolled nearer and nearer to the stately mansion, the sleeper saw a pale, starry face looking out of the silvery foam, and knew that it was my lady, transformed into a mermaid, beckoning his uncle to destruction. Beyond that rising sea great masses of cloud, blacker than the blackest ink, more dense than the darkest night, lowered upon the dreamer’s eye; but as he looked at the dismal horizon the storm-clouds slowly parted, and from a narrow rent in the darkness a ray of light streamed out upon the hideous waves, which slowly, very slowly, receded, leaving the old mansion safe and firmly rooted on the shore.

Robert awoke with the memory of this dream in his mind, and a sensation of physical relief, as if some heavy weight, which had oppressed him all the night, had been lifted from his breast.

He fell asleep again, and did not awake until the broad winter sunlight shone upon the window-blind, and the shrill voice of the chambermaid at his door announced that it was half-past eight o’clock. At a quarter-before ten he had left Victoria Hotel, and was making his way along the lonely platform in front of a row of shadowless houses that faced the sea.

This row of hard, uncompromising, square-built habitations stretched away to the little harbor, in which two or three merchant vessels and a couple of colliers were anchored. Beyond the harbor there loomed, gray and cold upon the wintry horizon, a dismal barrack, parted from the Wildernsea houses by a narrow creek, spanned by an iron drawbridge. The scarlet coat of the sentinel who walked backward and forward between two cannons, placed at remote angles before the barrack wall, was the only scrap of color that relieved the neutral-tinted picture of the gray stone houses and the leaden sea.

On one side of the harbor a long stone pier stretched out far away into the cruel loneliness of the sea, as if built for the especial accommodation of some modern Timon, too misanthropical to be satisfied even with the solitude of Wildernsea, and anxious to get still further away from his fellow-creatures.

It was on that pier George Talboys had first met his wife, under the blazing glory of a midsummer sky, and to the music of a braying band. It was there that the young cornet had first yielded to that sweet delusion, that fatal infatuation which had exercised so dark an influence upon his after-life.

Robert looked savagely at this solitary watering-place—the shabby seaport.

“It is such a place as this,” he thought, “that works a strong man’s ruin. He comes here, heart whole and happy, with no better experience of women than is to be learned at a flower-show or in a ball-room; with no more familiar knowledge of the creature than he has of the far-away satellites or the remoter planets; with a vague notion that she is a whirling teetotum in pink or blue gauze, or a graceful automaton for the display of milliners’ manufacture. He comes to some place of this kind, and the universe is suddenly narrowed into about half a dozen acres; the mighty scheme of creation is crushed into a bandbox. The far-away creatures whom he had seen floating about him, beautiful and indistinct, are brought under his very nose; and before he has time to recover his bewilderment, hey presto, the witchcraft has begun; the magic circle is drawn around him! the spells are at work, the whole formula of sorcery is in full play, and the victim is as powerless to escape as the marble-legged prince in the Eastern story.”

Ruminating in this wise, Robert Audley reached the house to which he had been directed as the residence of Mrs. Barkamb. He was admitted immediately by a prim, elderly servant, who ushered him into a sitting-room as prim and elderly-looking as herself. Mrs. Barkamb, a comfortable matron of about sixty years of age, was sitting in an arm-chair before a bright handful of fire in the shining grate. An elderly terrier, whose black-and-tan coat was thickly sprinkled with gray, reposed in Mrs. Barkamb’s lap. Every object in the quiet sitting-room had an elderly aspect of simple comfort and precision, which is the evidence of outward repose.