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(1) See Ezekiel viii. 3.

On one occasion, a few years ago, on my return from the field at evening, I was told that a foreigner had asked for lodgings during the night, but that, influenced by his dark, repulsive appearance, my mother had very reluctantly refused his request. I found her by no means satisfied with her decision. “What if a son of mine was in a strange land?” she inquired, self- reproachfully. Greatly to her relief, I volunteered to go in pursuit of the wanderer, and, taking a cross-path over the fields, soon overtook him. He had just been rejected at the house of our nearest neighbor, and was standing in a state of dubious perplexity in the street. He was an olive- complexioned, black-bearded Italian, with an eye like a live coal, such a face as perchance looks out on the traveller in the passes of the Abruzzi,(1)–one of those bandit visages which Salvator(2) has painted. With some difficulty I gave him to understand my errand, when he overwhelmed me with thanks, and joyfully followed me back. He took his seat with us at the supper-table; and, when we were all gathered around the hearth that cold autumnal evening, he told us, partly by words and partly by gestures, the story of his life and misfortunes, amused us with descriptions of the grape-gatherings and festivals of his sunny clime, edified my mother with a recipe for making bread of chestnuts; and in the morning, when, after breakfast, his dark sullen face lighted up and his fierce eye moistened with grateful emotion as in his own silvery Tuscan accent he poured out his thanks, we marvelled at the fears which had so nearly closed our door against him; and, as he departed, we all felt that he had left with us the blessing of the poor.

(1) Provinces into which the old Kingdom of Naples was divided.
(2) Salvator Rosa was a Neapolitan by birth, and was said to have been himself a bandit in his youth; his landscapes often contain figures drawn from the wild life of the region.

It was not often that, as in the above instance, my mother’s prudence got the better of her charity. The regular “old stragglers” regarded her as an unfailing friend; and the sight of her plain cap was to them an assurance of forthcoming creature-comforts. There was indeed a tribe of lazy strollers, having their place of rendezvous in the town of Barrington, New Hampshire, whose low vices had placed them beyond even the pale of her benevolence. They were not unconscious of their evil reputation; and experience had taught them the necessity of concealing, under well-contrived disguises, their true character. They came to us in all shapes and with all appearances save the true one, with most miserable stories of mishap and sickness and all “the ills which flesh is heir to.” It was particularly vexatious to discover, when too late, that our sympathies and charities had been expended upon such graceless vagabonds as the “Barrington beggars.” An old withered hag, known by the appellation of Hopping Pat,–the wise woman of her tribe,–was in the habit of visiting us, with her hopeful grandson, who had “a gift for preaching” as well as for many other things not exactly compatible with holy orders. He sometimes brought with him a tame crow, a shrewd, knavish-looking bird, who, when in the humor for it, could talk like Barnaby Rudge’s raven. He used to say he could “do nothin’ at exhortin’ without a white handkercher on his neck and money in his pocket,”–a fact going far to confirm the opinions of the Bishop of Exeter and the Puseyites generally, that there can be no priest without tithes and surplice.

These people have for several generations lived distinct from the great mass of the community, like the gypsies of Europe, whom in many respects they closely resemble. They have the same settled aversion to labor and the same disposition to avail themselves of the fruits of the industry of others. They love a wild, out-of-door life, sing songs, tell fortunes, and have an instinctive hatred of “missionaries and cold water.” It has been said–I know not upon what grounds–that their ancestors were indeed a veritable importation of English gypsyhood; but if so, they have undoubtedly lost a good deal of the picturesque charm of its unhoused and free condition. I very much fear that my friend Mary Russell Mitford,–sweetest of England’s rural painters,–who has a poet’s eye for the fine points in gypsy character, would scarcely allow their claims to fraternity with her own vagrant friends, whose camp-fires welcomed her to her new home at Swallowfield.(1)
(1) See in Miss Mitford’s *Our Village.*