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PAGE 2

William Tyrwhitt’s "Copy"
by [?]

We took an irresponsible, smiling pleasure in noting these advantages–particularly after lunch; and sometimes, where an old house was empty, we would go over it, and stare at beams and chimneypieces and hear the haunted tale of its fortunes, with a faint half-memory in our breasts of that one-time bugbear we had known as “copy.” But though more than once a flaccid instinct would move us to have out our pencils, we would only end by bunging our foolish mouths with them, as if they were cigarettes, and then vaguely wondering at them for that, being pencils, they would not draw.

By then we were so sinewless and demoralized that we could hear in the distant strains of the European Concert nothing but an orchestra of sweet sounds, and would have given ourselves away in any situation with a pound of tea. Therefore, perhaps, it was well for us that, a peremptory summons to town reaching me after seven days of comradeship with William, I must make shift to collect my faculties with my effects, and return to the more bracing climate of Fleet Street.

And here, you will note, begins the story of William Tyrwhitt, who would linger yet a few days in that hanging garden of the south coast, and who would pull himself together and collect matter for “copy.”

He found a very good subject that first evening of his solitude.

I was to leave in the afternoon, and the morning we spent in aimlessly rambling about the town. Towards mid-day, a slight shower drove us to shelter under the green verandah of a house, standing up from the lower fall of the High Street, that we had often observed in our wanderings. This house–or rather houses, for it was a block of two–was very tall and odd-looking, being all built of clean squares of a whitish granite; and the double porch in the middle base–led up to by side-going steps behind thin iron railings–roofed with green-painted zinc. In some of the windows were jalousies, but the general aspect of the exterior was gaunt and rigid; and the whole block bore a dismal, deserted look, as if it had not been lived in for years.

Now we had taken refuge in the porch of that half that lay uppermost on the slope; and here we noticed that, at a late date, the building was seemingly in process of repair, painters’ pots and brushes lying on a window-sill, and a pair of steps showing within through the glass.

“They have gone to dinner,” said I. “Supposing we seize the opportunity to explore?”

We pushed at the door; it yielded. We entered, shut ourselves in, and paused to the sound of our own footsteps echoing and laughing from corners and high places. On the ground floor were two or three good-sized rooms with modern grates, but cornices, chimney-pieces, embrasures finely Jacobean. There were innumerable under-stair and over-head cupboards, too, and pantries, and closets, and passages going off darkly into the unknown.

We clomb the stairway–to the first floor–to the second. Here was all pure Jacobean; but the walls were crumbling, the paper peeling, the windows dim and foul with dirt.

I have never known a place with such echoes. They shook from a footstep like nuts rattling out of a bag; a mouse behind the skirting led a whole camp-following of them; to ask a question was, as in that other House, to awaken the derisive shouts of an Opposition. Yet, in the intervals of silence, there fell a deadliness of quiet that was quite appalling by force of contrast.

“Let us go down,” I said. “I am feeling creepy.”

“Pooh!” said William Tyrwhitt; “I could take up my abode here with a feather bed.”

We descended, nevertheless. Arrived at the ground floor, “I am going to the back,” said William.

I followed him–a little reluctantly, I confess. Gloom and shadow had fallen upon the town, and this old deserted hulk of an abode was ghostly to a degree. There was no film of dust on its every shelf or sill that did not seem to me to bear the impress of some phantom finger feeling its way along. A glint of stealthy eyes would look from dark uncertain corners; a thin evil vapour appear to rise through the cracks of the boards from the unvisited cellars in the basement.