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PAGE 4

While The Lamp Holds Out To Burn
by [?]

“Son of a dog!” said the Pasha, and his fat forefinger convulsively pointed to the horse.

The Lost One’s eyes wavered a second, as though their owner had not the courage to abide the effect of his action, then they quickened to a point of steadiness, as a lash suddenly knots for a crack in the hand of a postilion.

“Swine!” said the Lost One into the Pasha’s face, and his round shoulders drew up a little farther, so that he seemed more like a man among men. His hands fell on his hips as, in his mess, an officer with no pockets drops his knuckles on his waist-line for a stand-at-ease.

The egregious Selamlik Pasha stood high in favour with the Khedive: was it not he who had suggested a tax on the earnings of the dancing girls, the Ghazeeyehs, and did he not himself act as the first tax-gatherer? Was it not Selamlik Pasha also who whispered into the ear of the Mouffetish that a birth-tax and a burial-tax should be instituted? And had he not seen them carried out in the mudiriehs under his own supervision? Had he not himself made the Fellaheen pay thrice over for water for their onion-fields? Had he not flogged an Arab to death with his own hand, the day before Fielding’s and Dicky’s arrival, and had he not tried to get this same Arab’s daughter into his harem–this Selamlik Pasha!

The voice of the Lost One suddenly rose shrill and excited, and he shouted at the Pasha. “Swine! swine! swine!… Kill your slaves with a kourbash if you like, but a bullet’s the thing for a waler!–Swine of a leper!”

The whole frame of the Lost One was still, but the voice was shaking, querulous, half hysterical; the eyes were lighted with a terrible excitement, the lips under the grey moustache twitched; the nervous slipshod dignity of carriage was in curious contrast to the disordered patchwork dress.

The trouble on Fielding’s face glimmered with a little ray of hope now. Dicky came over to him, and was about to speak, but a motion of Fielding’s hand stopped him. The hand said: “Let them fight it out.”

In a paroxysm of passion Selamlik Pasha called two Abyssinian slaves standing behind. “This brother of a toad to prison!” he said.

The Lost One’s eyes sought Dicky like a flash. Without a word, and as quick as the tick of a clock, Dicky tossed over his pistol to the Lost One, who caught it smoothly, turned it in his hand, and levelled it at the Abyssinians.

“No more of this damned nonsense, Pasha,” said Fielding suddenly. “He doesn’t put a high price on his life, and you do on yours. I’d be careful!”

“Steady, Trousers!” said Dicky in a soft voice, and smiled his girlish smile.

Selamlik Pasha stared for a moment in black anger, then stuttered forth: “Will you speak for a dog of a slave that his own country vomits out?”

“Your mother was a slave of Darfur, Pasha,” answered Fielding, in a low voice; “your father lost his life stealing slaves. Let’s have no airs and graces.”

Dicky’s eyes had been fixed on the Lost One, and his voice now said in its quaint treble: “Don’t get into a perspiration. He’s from where we get our bad manners, and he messes with us to-night, Pasha.”

The effect of these words was curious. Fielding’s face was a blank surprise, and his mouth opened to say no, but he caught Dicky’s look and the word was not uttered. The Pasha’s face showed curious incredulity; under the pallor of the Lost One’s a purplish flush crept, stayed a moment, then faded away, and left it paler than before.

“We’ve no more business, I think, Pasha,” said Fielding brusquely, and turned his donkey towards the river. The Pasha salaamed without a word, his Abyssinian slaves helped him on his great white donkey, and he trotted away towards the palace, the trousers flapping about his huge legs. The Lost One stood fingering the revolver. Presently he looked up at Dicky, and, standing still, held out the pistol.