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Where’s Nora?
by
“She’s gone up the road a bitteen,” said Mrs. Ryan, as if she suddenly turned to practical affairs. “She ‘s worked hard the day, poor shild! and she took the cool of the evening, and the last bun she had left, and wint away with herself. I kep’ the taypot on the stove for her, but she ‘d have none at all, at all!”
The young man turned away, and Mrs. Ryan looked after him with an indulgent smile. “He’s a pritty b’y,” she said. “I ‘d like well if he ‘d give a look at one o’ me own gerrls; Julia, now, would look well walking with him, she ‘s so dark. He’s got money saved. I saw the first day he come after the cakeens ‘t was the one that baked them was in his mind. She’s lucky, is Nora; well, I’m glad of it.”
It was fast growing dark, and Johnny’s eyes were still dazzled by the bright lights of the train as he stepped briskly along the narrow country road. The more he had seen Nora and the better he liked her, the less she would have to say to him, and tonight he meant to find her and have a talk. He had only succeeded in getting half a dozen words at a time since the night of their first meeting on the slow train, when she had gladly recognized the peculiar brogue of her own country-side, as Johnny called the names of the stations, and Johnny’s quick eyes had seen the tired-looking, uncertain, yet cheerful little greenhorn in the corner of the car, and asked if she were not the niece that was coming out to Mrs. Duffy. He had watched the growth of her business with delight, and heard praises of the cakes and buns with willing ears; was it not his own suggestion that had laid the foundation of Nora’s prosperity? Since their first meeting they had always greeted each other like old friends, but Nora grew more and more willing to talk with any of her breathless customers who hurried up the steep bank from the trains than with him. She would never take any pay for her wares from him, and for a week he had stopped coming himself and sent by a friend his money for the cakes; but one day poor Johnny’s heart could not resist the temptation of going with the rest, and Nora had given him a happy look, straightforward and significant. There was no time for a word, but she picked out a crusty bun, and he took it and ran back without offering to pay. It was the best bun that a man ever ate. Nora was two months out now, and he had never walked with her an evening yet.
The shadows were thick under a long row of willows; there was a new moon, and a faint glow in the west still lit the sky. Johnny walked on the grassy roadside with his ears keen to hear the noise of a betraying pebble under Nora’s light foot. Presently his heart beat loud and all out of time as a young voice began to sing a little way beyond.
Nora was walking slowly away, but Johnny stopped still to listen. She was singing “A Blacksmith Courted Me,” one of the quaintest and sweetest of the old-country songs, as she strolled along in the soft-aired summer night. By the time she came to “My love ‘s gone along the fields,” Johnny hurried on to overtake her; he could hear the other verses some other time,–the bird was even sweeter than the voice.
Nora was startled for a moment, and stopped singing, as if she were truly a bird in a bush, but she did not flutter away. “Is it yourself, Mister Johnny?” she asked soberly, as if the frank affection of the song had not been assumed.
“It’s meself,” answered Johnny, with equal discretion. “I come out for a mout’ful of air; it’s very hot inside in the town. Days off are well enough in winter, but in summer you get a fine air on the train. ‘T was well we both took the same direction. How is the business? All the b’ys are saying they’d be lost without it; sure there ain’t a stomach of them but wants its bun, and they cried the length of the Road that day the thunder spoiled the baking.”