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This, of Alice Akana, is an affair of Hawaii, not of this day, but of days recent enough, when Abel Ah Yo preached his famous revival in Honolulu and persuaded Alice Akana to tell her soul. But what Alice told concerned itself with the earlier history of the then surviving generation.

For Alice Akana was fifty years old, had begun life early, and, early and late, lived it spaciously. What she knew went back into the roots and foundations of families, businesses, and plantations. She was the one living repository of accurate information that lawyers sought out, whether the information they required related to land-boundaries and land gifts, or to marriages, births, bequests, or scandals. Rarely, because of the tight tongue she kept behind her teeth, did she give them what they asked; and when she did was when only equity was served and no one was hurt.

For Alice had lived, from early in her girlhood, a life of flowers, and song, and wine, and dance; and, in her later years, had herself been mistress of these revels by office of mistress of the hula house. In such atmosphere, where mandates of God and man and caution are inhibited, and where woozled tongues will wag, she acquired her historical knowledge of things never otherwise whispered and rarely guessed. And her tight tongue had served her well, so that, while the old-timers knew she must know, none ever heard her gossip of the times of Kalakaua’s boathouse, nor of the high times of officers of visiting warships, nor of the diplomats and ministers and councils of the countries of the world.

So, at fifty, loaded with historical dynamite sufficient, if it were ever exploded, to shake the social and commercial life of the Islands, still tight of tongue, Alice Akana was mistress of the hula house, manageress of the dancing girls who hula’d for royalty, for luaus (feasts), house-parties, poi suppers, and curious tourists. And, at fifty, she was not merely buxom, but short and fat in the Polynesian peasant way, with a constitution and lack of organic weakness that promised incalculable years. But it was at fifty that she strayed, quite by chance of time and curiosity, into Abel Ah Yo’s revival meeting.

Now Abel Ah Yo, in his theology and word wizardry, was as much mixed a personage as Billy Sunday. In his genealogy he was much more mixed, for he was compounded of one-fourth Portuguese, one- fourth Scotch, one-fourth Hawaiian, and one-fourth Chinese. The Pentecostal fire he flamed forth was hotter and more variegated than could any one of the four races of him alone have flamed forth. For in him were gathered together the cannyness and the cunning, the wit and the wisdom, the subtlety and the rawness, the passion and the philosophy, the agonizing spirit-groping and he legs up to the knees in the dung of reality, of the four radically different breeds that contributed to the sum of him. His, also, was the clever self-deceivement of the entire clever compound.

When it came to word wizardry, he had Billy Sunday, master of slang and argot of one language, skinned by miles. For in Abel Ah Yo were the five verbs, and nouns, and adjectives, and metaphors of four living languages. Intermixed and living promiscuously and vitally together, he possessed in these languages a reservoir of expression in which a myriad Billy Sundays could drown. Of no race, a mongrel par excellence, a heterogeneous scrabble, the genius of the admixture was superlatively Abel Ah Yo’s. Like a chameleon, he titubated and scintillated grandly between the diverse parts of him, stunning by frontal attack and surprising and confouding by flanking sweeps the mental homogeneity of the more simply constituted souls who came in to his revival to sit under him and flame to his flaming.