PAGE 5
What She Wore
by
“That’s so,” agreed Sophy. “When a girl gets shabby, and her clothes begin t’ look tacky she can take a gore or so out of her skirt where it’s the most wore, and catch it in at the bottom, and call it a hobble. An’ when her waist gets too soiled she can cover up the front of it with a jabot, an’ if her face is pretty enough she can carry it off that way. But when a man is seedy, he’s seedy. He can’t sew no ruffles on his pants.”
“I ran short last week, continued Louie. “That is, shorter than usual. I hadn’t the fifty cents to give to the woman. You ought to see her! A little, gray-faced thing, with wisps of hair, and no chest to speak of, and one of those mashed-looking black hats. Nobody could have the nerve to ask her to wait for her money. So I did my own washing. I haven’t learned to wear soiled clothes yet. I laughed fit to bust while I was doing it. But–I’ll bet my mother dreamed of me that night. The way they do, you know, when something’s gone wrong.”
Sophy, perched on the third rung of the sliding ladder, was gazing at him. Her lips were parted slightly, and her cheeks were very pink. On her face was a new, strange look, as of something half forgotten. It was as though the spirit of Sophy-as-she-might-have-been were inhabiting her soul for a brief moment. At Louie’s next words the look was gone.
“Can’t you sew something–a lace yoke–or whatever you call ’em–in that dress?” he persisted.
“Aw, fade!” jeered Sophy. “When a girl’s only got one dress it’s got to have some tong to it. Maybe this gown would cause a wave of indignation in Oskaloosa, Iowa, but it don’t even make a ripple on State Street. It takes more than an aggravated Dutch neck to make a fellow look at a girl these days. In a town like this a girl’s got to make a showin’ some way. I’m my own stage manager. They look at my dress first, an’ grin. See? An’ then they look at my face. I’m like the girl in the story. Muh face is muh fortune. It’s earned me many a square meal; an’ lemme tell you, Pink Cheeks, eatin’ square meals is one of my favorite pas- times.”
“Say looka here!” bellowed the boss, wrathfully. “Just cut out this here Romeo and Juliet act, will you! That there ladder ain’t for no balcony scene, understand. Here you, Louie, you shinny up there and get down a pair of them brown satin pumps, small size.”
Sophy continued to wear the black dress. The V-cut neck seemed more flaunting than ever.
It was two weeks later that Louie came in from lunch, his face radiant. He was fifteen minutes late, but he listened to the boss’s ravings with a smile.
“You grin like somebody handed you a ten-case note,” commented Sophy, with a woman’s curiosity. “I guess you must of met some rube from home when you was out t’ lunch.”
“Better than that! Who do you think I bumped right into in the elevator going down?”
“Well, Brothah Bones,” mimicked Sophy, who did you meet in the elevator going down?”
“I met a man named Ames. He used to travel for a big Boston shoe house, and he made our town every few months. We got to be good friends. I took him home for Sunday dinner once, and he said it was the best dinner he’d had in months. You know how tired those traveling men get of hotel grub.”
“Cut out the description and get down to action,” snapped Sophy.
“Well, he knew me right away. And he made me go out to lunch with him. A real lunch, starting with soup. Gee! It went big. He asked me what I was doing. I told him I was working here, and he opened his eyes, and then he laughed and said: `How did you get into that joint?’ Then he took me down to a swell little shoe shop on State Street, and it turned out that he owns it. He introduced me all around, and I’m going there to work next week. And wages! Why say, it’s almost a salary. A fellow can hold his head up in a place like that.”