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Wedlock
by
What has happened whilst he has been away on his errand of mercy? Has anything happened? After all, why should this ghastly idea of a tragedy possess him? He climbs on to a heap of loose bricks and peers over the wall–darkness and silence. He goes down the lane and round to the front of the house. A dim light shines through the stained glass over the door showing up the name “Ladas,” that is all, yet the little man shivers. The rain has soaked through his coat and is trickling down his neck; he scratches his head in perplexity, muttering to himself, “I’m afear’d, an’ I dunno wot I’m afear’d on. I meant to wotch; maybe arsk ‘er for a light. It ain’t my fault if Mrs. Rogers’s baby came atween–but twarn’t no wearin’ reason to marry for,” and he goes down the road and faces home. The rain ceases, and a tearful moon appears, and the water drips off the roof with a clucking sound. Upstairs in a back room in the silent house a pale strip of moonlight flickers over a dark streak on the floor, that trickles slowly from the pool at the bedside out under the door, making a second ghastly pool on the top step of the stairs–a thick sorghum red, blackening as it thickens, with a sickly serous border. Downstairs the woman sits in a chair with her arms hanging down. Her hands are crimson as if she has dipped them in dye. A string of blue beads lies on her lap, and she is fast asleep; and she smiles as she sleeps, for Susie is playing in a meadow, a great meadow crimson with poppies, and her blue eyes smile with glee, and her golden curls are poppy-crowned, and her little white feet twinkle as they dance, and her pinked-out grave frock flutters, and her tiny waxen hands scatter poppies, blood-red poppies, in handfuls over three open graves.