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PAGE 3

Wan Lee, The Pagan
by [?]

There was something beneath the shawl. Surely–and something that was not there before; at first a mere suggestion in relief, a faint outline, but growing more and more distinct and visible every moment. The chant still continued; the perspiration began to roll from the singer’s face; gradually the hidden object took upon itself a shape and bulk that raised the shawl in its centre some five or six inches. It was now unmistakably the outline of a small but perfect human figure, with extended arms and legs. One or two of us turned pale. There was a feeling of general uneasiness, until the editor broke the silence by a gibe, that, poor as it was, was received with spontaneous enthusiasm. Then the chant suddenly ceased. Wang arose, and with a quick, dexterous movement, stripped both shawl and silk away, and discovered, sleeping peacefully upon my handkerchief, a tiny Chinese baby.

The applause and uproar which followed this revelation ought to have satisfied Wang, even if his audience was a small one: it was loud enough to awaken the baby,–a pretty little boy about a year old, looking like a Cupid cut out of sandal-wood. He was whisked away almost as mysteriously as he appeared. When Hop Sing returned my handkerchief to me with a bow, I asked if the juggler was the father of the baby. “No sabe!” said the imperturbable Hop Sing, taking refuge in that Spanish form of non-committalism so common in California.

“But does he have a new baby for every performance?” I asked. “Perhaps: who knows?”–“But what will become of this one?”–“Whatever you choose, gentlemen,” replied Hop Sing with a courteous inclination. “It was born here: you are its godfathers.”

There were two characteristic peculiarities of any Californian assemblage in 1856,–it was quick to take a hint, and generous to the point of prodigality in its response to any charitable appeal. No matter how sordid or avaricious the individual, he could not resist the infection of sympathy. I doubled the points of my handkerchief into a bag, dropped a coin into it, and, without a word, passed it to the judge. He quietly added a twenty-dollar gold-piece, and passed it to the next. When it was returned to me, it contained over a hundred dollars. I knotted the money in the handkerchief, and gave it to Hop Sing.

“For the baby, from its godfathers.”

“But what name?” said the judge. There was a running fire of “Erebus,” “Nox,” “Plutus,” “Terra Cotta,” “Antaeus,” etc. Finally the question was referred to our host.

“Why not keep his own name?” he said quietly,–“Wan Lee.” And he did.

And thus was Wan Lee, on the night of Friday, the 5th of March, 1856, born into this veracious chronicle.

The last form of “The Northern Star” for the 19th of July, 1865,–the only daily paper published in Klamath County,–had just gone to press; and at three, A.M., I was putting aside my proofs and manuscripts, preparatory to going home, when I discovered a letter lying under some sheets of paper, which I must have overlooked. The envelope was considerably soiled: it had no post-mark; but I had no difficulty in recognizing the hand of my friend Hop Sing. I opened it hurriedly, and read as follows:–

“MY DEAR SIR,–I do not know whether the bearer will suit you; but, unless the office of ‘devil’ in your newspaper is a purely technical one, I think he has all the qualities required. He is very quick, active, and intelligent; understands English better than he speaks it; and makes up for any defect by his habits of observation and imitation. You have only to show him how to do a thing once, and he will repeat it, whether it is an offence or a virtue. But you certainly know him already. You are one of his godfathers; for is he not Wan Lee, the reputed son of Wang the conjurer, to whose performances I had the honor to introduce you? But perhaps you have forgotten it.