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PAGE 4

Walstein; Or A Cure For Melancholy
by [?]

He welcomed Walstein with warmth. Mr. Revel led Madame to the dining-room. The table was round, and Walstein seated himself at her side.

The repast was light and elegant, unusual characteristics of a German dinner. Madame de Schulembourg conversed with infinite gaiety, but with an ease that showed that to charm was with her no effort. The Englishman was an excellent specimen of his nation, polished and intelligent, without that haughty and graceless reserve which is so painful to a finished man of the world. The host was himself ever animated and cheerful, but calm and clear–and often addressed himself to the artist, who was silent, and, like students in general, constrained. Walstein himself, indeed, was not very talkative, but his manner indicated that he was interested, and when he made an observation it was uttered with facility, and arrested attention by its justness or its novelty. It was an agreeable party.

They had discussed several light topics. At length they diverged to the supernatural. Mr. Revel, as is customary with Englishmen, who are very sceptical, affected for the moment a belief in spirits. With the rest of the society, however, it was no light theme. Madame de Schulembourg avowed her profound credulity. The artist was a decided votary. Schulembourg philosophically accounted for many appearances, but he was a magnetiser, and his explanations were more marvellous than the portents.

‘And you, Mr. Walstein,’ said Madame de Schulembourg, ‘what is your opinion?’

‘I am willing to yield to any faith that distracts my thoughts from the burthen of daily reality,’ replied Walstein.

‘You would just suit Mr. Novalis, then,’ observed Mr. Revel, bowing to the sculptor.

‘Novalis is an astrologer,’ said Madame Schulembourg; ‘I think he would just suit you.’

‘Destiny is a grand subject,’ observed Walstein, ‘and although I am not prepared to say that I believe in fate, I should nevertheless not be surprised to read my fortunes in the stars.’

‘That has been the belief of great spirits,’ observed the sculptor, his countenance brightening with more assurance.

‘It is true,’ replied Walstein, ‘I would rather err with my great namesake and Napoleon than share the orthodoxy of ordinary mortality.’

‘That is a dangerous speech, Baron,’ said Schulembourg.

‘With regard to destiny,’ said Mr. Revel, who was in fact a materialist of the old school, ‘everything depends upon a man’s nature; the ambitious will rise, and the grovelling will crawl–those whose volition is strong will believe in fate, and the weak-minded accounts for the consequences of his own incongruities by execrating chance.’

Schulembourg shook his head. ‘By a man’s nature you mean his structure,’ said the physician, ‘much, doubtless, depends upon structure, but structure is again influenced by structure. All is subservient to sympathy.’

‘It is true,’ replied the sculptor; ‘and what is the influence of the stars on human conduct but sympathy of the highest degree?’

‘I am little accustomed to metaphysical discussions,’ remarked Walstein; ‘this is, indeed, a sorry subject to amuse a fair lady with, Madame de Schulembourg.’

‘On the contrary,’ she replied, ‘the mystical ever delights me.’

‘Yet,’ continued Walstein, ‘perceiving that the discontent and infelicity of man generally increase in an exact ratio with his intelligence and his knowledge, I am often tempted to envy the ignorant and the simple.’

‘A man can only be content,’ replied Schulembourg, ‘when his career is in harmony with his organisation. Man is an animal formed for great physical activity, and this is the reason why the vast majority, in spite of great physical suffering, are content. The sense of existence, under the influence of the action which is necessary to their living, counterbalances all misery. But when a man has a peculiar structure, when he is born with a predisposition, or is, in vulgar language, a man of genius, his content entirely depends upon the predisposition being developed and indulged. And this is philosophical education, that sublime art so ill-comprehended!’

‘I agree with you,’ said Revel, who recollected the nonsense-verses of Eton, and the logic of Christ Church; ‘all the scrapes and unhappiness of my youth, and I assure you they were not inconsiderable, are to be ascribed to the obstinate resolution of my family to make a priest out of a man who wished to be a soldier.’