PAGE 21
Up the Coulee
by
"I was a fool for ever marrying," she went on, while the baby pushed a chair across the room. "I made a decent living teaching, I was free to come and go, my money was my own. Now I’m fled right down to a churn or a dishpan, I never have a cent of my own. He’s growlin’ round half the time, and there’s no chance of his ever being different. "
She stopped with a bitter sob in her throat. She forgot she was talking to her husband’s brother. She was conscious only of his sympathy.
As if a great black cloud had settled down upon him, Howard felt it all–the horror, hopelessness, immanent tragedy of it all. The glory of nature, the bounty and splendor of the sky, only made it the more benumbing. He thought of a sentence Millet once wrote:
I see very well the aureole of the dandelions, and the sun also, far down there behind the hills, flinging his glory upon the clouds. But not alone that–I see in the
plains the smoke of the tired horses at the plough, or, on a stony-hearted spot of ground, a back-broken man trying to raise himself upright for a moment to breathe.
The tragedy is surrounded by glories–that is no invention of mine.
Howard arose abruptly and went back to his little bedroom, where he walked up and down the floor till he was calm enough to write, and then he sat down and poured it all out to "Dearest Margaret," and his first sentence was this:
"If it were not for you (just to let you know the mood I’m in)–if it were not for you, and I had the world in my hands, I’d crush it like a puffball; evil so predominates, suffering is so universal and persistent, happiness so fleeting and so infrequent. "
He wrote on for two hours, and by the time he had sealed and directed several letters he felt calmer, but still terribly depressed. The rain was still falling, sweeping down from the half-seen hills, wreathing the wooded peaks with a gray garment of mist and filling the valley with a whitish cloud.
It fell around the house drearily. It ran down into the tubs placed to catch it, dripped from the mossy pump, and drummed on the upturned milk pails, and upon the brown and yellow beehives under the maple trees. The chickens seemed depressed, but the irrepressible bluejay screamed amid it all, with the same insolent spirit, his plumage untarnished by the wet. The barnyard showed a horrible mixture of mud and mire, through which Howard caught glimpses of the men, slumping to and fro without more additional protection than a ragged coat and a shapeless felt hat.
In the sitting room where his mother sat sewing there was not an ornament, save the etching he had brought. The clock stood on a small shell, its dial so much defaced that one could not tell the time of day; and when it struck, it was with noticeably disproportionate deliberation, as if it wished to correct any mistake into which the family might have fallen by reason of its illegible dial.
The paper on the walls showed the first concession of the Puritans to the Spirit of Beauty, and was made up of a heterogeneous mixture of flowers of unheard-of shapes and colors, arranged in four different ways along the wall. There were no books, no music, and only a few newspapers in sight–a bare, blank, cold, drab- colored shelter from the rain, not a home. Nothing cozy, nothing heartwarming; a grim and horrible shed.
"What are they doing? It can’t be they’re at work such a day as this," Howard said, standing at the window.