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“What if I die under it?” The thought recurred again and again, as I walked home from Haddon’s. It was a purely personal question. I was spared the deep anxieties of a married man, and I knew there were few of my intimate friends but would find my death troublesome chiefly on account of their duty of regret. I was surprised indeed, and perhaps a little humiliated, as I turned the matter over, to think how few could possibly exceed the conventional requirement. Things came before me stripped of glamour, in a clear dry light, during that walk from Haddon’s house over Primrose Hill. There were the friends of my youth: I perceived now that our affection was a tradition, which we foregathered rather laboriously to maintain. There were the rivals and helpers of my later career: I suppose I had been cold-blooded or undemonstrative–one perhaps implies the other. It may be that even the capacity for friendship is a question of physique. There had been a time in my own life when I had grieved bitterly enough at the loss of a friend; but as I walked home that afternoon the emotional side of my imagination was dormant. I could not pity myself, nor feel sorry for my friends, nor conceive of them as grieving for me.

I was interested in this deadness of my emotional nature–no doubt a concomitant of my stagnating physiology; and my thoughts wandered off along the line it suggested. Once before, in my hot youth, I had suffered a sudden loss of blood, and had been within an ace of death. I remembered now that my affections as well as my passions had drained out of me, leaving scarce anything but a tranquil resignation, a dreg of self-pity. It had been weeks before the old ambitions and tendernesses and all the complex moral interplay of a man had reasserted themselves. It occurred to me that the real meaning of this numbness might be a gradual slipping away from the pleasure-pain guidance of the animal man. It has been proven, I take it, as thoroughly as anything can be proven in this world, that the higher emotions, the moral feelings, even the subtle unselfishness of love, are evolved from the elemental desires and fears of the simple animal: they are the harness in which man’s mental freedom goes. And it may be that as death overshadows us, as our possibility of acting diminishes, this complex growth of balanced impulse, propensity and aversion, whose interplay inspires our acts, goes with it. Leaving what?

I was suddenly brought back to reality by an imminent collision with the butcher-boy’s tray. I found that I was crossing the bridge over the Regent’s Park Canal, which runs parallel with that in the Zoological Gardens. The boy in blue had been looking over his shoulder at a black barge advancing slowly, towed by a gaunt white horse. In the Gardens a nurse was leading three happy little children over the bridge. The trees were bright green; the spring hopefulness was still unstained by the dusts of summer; the sky in the water was bright and clear, but broken by long waves, by quivering bands of black, as the barge drove through. The breeze was stirring; but it did not stir me as the spring breeze used to do.

Was this dulness of feeling in itself an anticipation? It was curious that I could reason and follow out a network of suggestion as clearly as ever: so, at least, it seemed to me. It was calmness rather than dulness that was coming upon me. Was there any ground for the relief in the presentiment of death? Did a man near to death begin instinctively to withdraw himself from the meshes of matter and sense, even before the cold hand was laid upon his? I felt strangely isolated–isolated without regret–from the life and existence about me. The children playing in the sun and gathering strength and experience for the business of life, the park-keeper gossiping with a nursemaid, the nursing mother, the young couple intent upon each other as they passed me, the trees by the wayside spreading new pleading leaves to the sunlight, the stir in their branches–I had been part of it all, but I had nearly done with it now.