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PAGE 7

Under The Eaves
by [?]

A near church clock had struck ten when he was startled by the sound of an unfamiliar and uncertain step in the hall, followed by a tap at his door. Breeze jumped to his feet, and was astonished to find Dick, the “printer’s devil,” standing on the threshold with a roll of proofs in his hand.

“How did you get here?” he asked testily.

“They told me at the restaurant they reckoned you lived yere, and the night watchman at the door headed me straight up. When he knew whar I kem from he wanted to know what the news was, but I told him he’d better buy an extra and see.”

“Well, what did you come for?” said the editor impatiently.

“The foreman said it was important, and he wanted to know afore he went to press ef this yer correction was YOURS?”

He went to the table, unrolled the proofs, and, taking out the slip, pointed to a marked paragraph. “The foreman says the reporter who brought the news allows he got it straight first-hand! But ef you’ve corrected it, he reckons you know best.”

Breeze saw at a glance that the paragraph alluded to was not of his own writing, but one of several news items furnished by reporters. These had been “set up” in the same “galley,” and consequently appeared in the same proof-slip. He was about to say curtly that neither the matter nor the correction was his, when something odd in the correction of the item struck him. It read as follows:–

“It appears that the notorious ‘Jim Bodine,’ who is in hiding and badly wanted by the Vigilance Committee, has been tempted lately into a renewal of his old recklessness. He was seen in Sacramento Street the other night by two separate witnesses, one of whom followed him, but he escaped in some friendly doorway.”

The words “in Sacramento Street” were stricken out and replaced by the correction “on the Saucelito shore,” and the words “friendly doorway” were changed to “friendly dinghy.” The correction was not his, nor the handwriting, which was further disguised by being an imitation of print. A strange idea seized him.

“Has any one seen these proofs since I left them at the office?”

“No, only the foreman, sir.”

He remembered that he had left the proofs lying openly on his table when he was called to the office at the stroke of the alarm bell; he remembered the figure he saw gliding from his room on his return. She had been there alone with the proofs; she only could have tampered with them.

The evident object of the correction was to direct the public attention from Sacramento Street to Saucelito, as the probable whereabouts of this “Jimmy Bodine.” The street below was Sacramento Street, the “friendly doorway” might have been their own.

That she had some knowledge of this Bodine was not more improbable than the ballet story. Her strange absences, the mystery surrounding her, all seemed to testify that she had some connection–perhaps only an innocent one–with these desperate people whom the Vigilance Committee were hunting down. Her attempt to save the man was, after all, no more illegal than their attempt to capture him. True, she might have trusted him, Breeze, without this tampering with his papers; yet perhaps she thought he was certain to discover it–and it was only a silent appeal to his mercy. The corrections were ingenious and natural–it was the act of an intelligent, quick-witted woman.

Mr. Breeze was prompt in acting upon his intuition, whether right or wrong. He took up his pen, wrote on the margin of the proof, “Print as corrected,” said to the boy carelessly, “The corrections are all right,” and dismissed him quickly.

The corrected paragraph which appeared in the “Informer” the next morning seemed to attract little public attention, the greater excitement being the suicide of the imprisoned bully and the effect it might have upon the prosecution of other suspected parties, against whom the dead man had been expected to bear witness.