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Had he thus, in blind self-sacrifice to the whim of a foolish girl, cast himself into a pit? If so, what meant his light step and cheerful smile as soon as she was out of sight?

Mademoiselle Zoe, the Severed Lady, swung in half-person and sang her little song on a night a week or two afterwards, just as she had sung and swung many a night before. Wondering eyes of every kind were staring at her, and presently her foolish little heart gave a great bound. There before her, regarding her with infinite tenderness, was a divine pair of soft, pale, limpid amber eyes! (A woman in the audience happened also to see this extraordinary spectacle, and it frightened her so badly that she fainted, thinking she had seen a corpse.)

The amber eyes instantly disappeared, along with their owner, one Sampey. A thumpy little heart in a round, plump body knew that it was he; knew, therefore, that her destiny was come, and, most extraordinary of all, in the shape of her good father’s literary bureau! Yet what shock there was next day, when the hero of her dreams came to her with his ordinary pale-gray eyes, blurred somewhat and inclined to humidity!

“Sampey!” she exclaimed in dismay, tumbled thus rudely from the clouds.

“Muggie!”

“Your eyes last night–then you were a hero; but to-day—-“

“A hero!” innocently echoed Sampey.

“Why, yes! Last night you had amber eyes–such beautiful eyes–the hero-eyes of my dreams!”

“My dear child, you certainly were dreaming.”

“Oh, no! I saw them! My heart jumped so! I knew you–I knew you–and your eyes were amber!”

Sampey smiled sadly and a little complacently, and with great modesty said:

“I can’t doubt you, my dear child, but I assure you that I was unconscious of my amber eyes. I wish that I could feel at liberty to confess to you that lately I have had strange whisperings of heroism in my soul–but that would be boasting, and true heroism is always modest. Still, I ought not to be surprised that you discovered the actual presence before I was aware even of its existence; but such, indeed, my dear, is the peculiarity of the true hero–he is ever unaware of his own heroism.” He took her hand languishingly and squeezed it. She blushed and fled.

Signor Castellani, besides being wealthy, was a man of business. His daughter should marry a man who had money sufficient to insure his worth. With perspicacity rare in a man, he had observed that the two singular men of this narrative admired his daughter. Now, Bat, being a freak, was making money rapidly, while Sampey was only a poor literary bureau! Castellani felt the need of a partner. Why should not a partner be a son-in-law? Surely Bat was much more desirable than Sampey!

Sampey was wise and Bat was foolish. On the other hand, Bat was courageous and Sampey was timid. Bat had the courage of a brute. Sampey knew that there were certain ways of frightening brave brutes–he had even seen a prize-fighter join a church. He prepared for Bat.

One day he entered the museum between exhibitions and sought the Wild Man of Milo. That worthy was leisurely smoking a cigarette in a quiet corner, and was making the smoke curl up gracefully over the hairy tuft on his nose. Sampey was paler than usual and a little nervous, for the business of his visit was tinged with hazard. Bat, who happened to feel good-natured, gave the first greeting.

“Hey!” he called out.

Sampey went straight to him.

“You lika da show, ha, Samp? You come effery day. Gooda place, ha, Samp?”

“A very good place, Bat,” quietly answered Sampey, who tried hard to appear indifferent as he fumbled nervously in his pocket.

“Signor Castellani, he biga mon, reecha mon, gooda mon. You like ‘im?”

“Very much.” Sampey was acting strangely.

Bat’s eyes twinkled a little dangerously.

“You lika da gal, too, ha, Samp?”

“The–ah–the tattooed woman? Yes, very well, indeed.”

“Ha, you sly Samp! I spik about da leetle ploompa gal–da Mug.”