FullReads

“I am so young,” he wrote to her, “that I can begin at the beginning and learn to be anything–in time to be it! And so every morning now you shall think of G. G. out with his butterfly net, running after winged words. That’s nonsense. I’ve a little pad and a big pencil, and a hot potato in my pocket for to warm the numb fingers at. And father’s got an old typewriter in his office that’s to be put in order for me; and nights I shall drum upon it and print off what was written down in the morning, and study to see why it’s all wrong. I think I’ll never write anything but tales about people who love each other. ‘Cause a fellow wants to stick to what he knows about….”

Though G. G. was not to see Cynthia again for a whole year he didn’t find any trouble in loving her a little more every day. To his mind’s eye she was almost as vivid as if she had been standing right there in front of him. And as for her voice, that dwelt ever in his ear, like those lovely airs which, once heard, are only put aside with death. You may have heard your grandmother lilting to herself, over her mending, some song of men and maidens and violets that she had listened to in her girlhood and could never forget.

And then, of course, everything that G. G. did was a reminder of Cynthia. With the help of one of Doctor Trudeau’s assistants, who came every day to see how he was getting on, he succeeded in understanding very well what was the matter with him and under just what conditions a consumptive lung heals and becomes whole. To live according to the letter and spirit of the doctor’s advice became almost a religion with him.

For six hours of every day he sat on the porch of the house where he had rooms, writing on his little pad and making friends with the keen, clean, healing air. Every night the windows of his bedroom stood wide open, so that in the morning the water in his pitcher was a solid block. And he ate just the things he was told to–and willed himself to like milk and sugar, and snow and cold, and short days!

In his writing he began to see progress. He was like a musical person beginning to learn an instrument; for, just as surely as there are scales to be run upon the piano before your virtuoso can weave music, binding the gallery gods with delicious meshes of sound, so in prose-writing there must be scales run, fingerings worked out, and harmonies mastered. For in a page of lo bello stile you will find trills and arpeggios, turns, grace notes, a main theme, a sub theme, thorough-bass, counterpoint, and form.

Music is an easier art than prose, however. It comes to men as a more direct and concrete gift of those gods who delight in sound and the co-ordination of parts. The harmonies are more quickly grasped by the well-tuned ear. We can imagine the boy Mozart discoursing lovely music at the age of five; but we cannot imagine any one of such tender years compiling even a fifth-rate paragraph of prose.

Those men who have mastered lo bello stile in music can tell us pretty clearly how the thing is done. There be rules. But your prose masters either cannot formulate what they have learned–or will not.

G. G. was very patient; and there were times when the putting together of words was fascinating, like the putting together of those picture puzzles which were such a fad the other day. And such reading as he did was all in one book–the dictionary. For hours, guided by his nice ear for sound, he applied himself to learning the derivatives and exact meanings of new words–or he looked up old words and found that they were new.