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Here stood Hans and Ingeborg quite close to him. He had sat down beside her,—she was perhaps his sister,—and surrounded by other red-cheeked children of men they ate and drank, chattered merrily, called out teasing remarks to each other with ringing voices, and let their laughter peal out. Could he not approach them a little? Could he not direct to him or her a jest that would come to his mind, and that they must at least answer with a smile? It would make him happy, he longed for it; he would then return more contentedly to his room, with the consciousness of having established some little community with them. He thought out what he might say; but he did not find the courage to say it. And then too it was as of old: they would not understand him, would listen with disapproval to what he could say. For their language was not his language.

Now the dance was to begin again, it seemed. The mail clerk revealed an all-embracing activity. He hurried around and invited every one to engage partners, pushed and cleared away chairs and glasses with the aid of the waiter, gave orders to the musicians, and took some awkward ones, who did not know where to go, by the shoulders and pushed them along before him. What were they going to do? Groups of eight couples were forming sets … A terrible memory made Tonio Kröger blush. They were dancing the quadrille.

The music began, and the couples bowed and marched past each other. The mail clerk called the figures, and he did so, by heaven, in French, and brought out the nasal sounds in an incomparably distinguished fashion. Ingeborg Holm was dancing right in front of Tonio Kröger, in the set just next to the door. She moved back and forth in front of him, forward and backward, gliding and whirling; a perfume that came from her hair or the dainty stuff of her dress reached him occasionally, and he shut his eyes with a feeling that had been so familiar to him all his life, whose aroma and bitter stimulus he had faintly discerned all these last days, and that now filled him again completely with its sweet distress. What was it? Longing? Tenderness? Envy, self-contempt? … Moulinet des dames! Did you laugh, blond Inga, did you laugh at me when I danced moulinet and made such a pitiable fool of myself? And would you laugh today, now that I have after all become something like a famous man? Yes, you would, and you would have thrice as much right as before! And if I, all by myself, had created the Nine Symphonies, The World as Will and Idea, and the Last Judgment—still you would be eternally justified in laughing … He looked at her, and a line occurred to him which he had long forgotten, and yet was so familiar and so akin to him: "I fain would sleep, but thou must dance. " He knew so well the deep, clumsy, melancholy Scandinavian awkwardness of feeling that was expressed by it. To sleep … To long to live simply and wholly for the feeling that sweetly and indolently satisfies itself, without the obligation of becoming a deed and a dance—and nevertheless to dance, to have to execute nimbly and with presence of mind the hard, hard and dangerous knife-dance of art, without ever quite forgetting the humiliating contradiction that lay in having to dance while one was in love …

All at once the whole throng broke into mad and exuberant motion. The sets had broken up, and the dancers shot around jumping and gliding: the quadrille was ending with a galop. The couples flew past Tonio Kröger to the furious beat of the music, chasséing, hurrying, overtaking each other, with quick, breathless laughter. One couple came along, carried away by the universal race, whirling and whizzing forward. The girl had a delicate, pale face and lean, very high shoulders. And suddenly, close before him, there was a stumbling, sliding, and falling … The pale girl fell down. She fell so heavily and violently that it almost looked dangerous, and her cavalier fell with her. The latter must have hurt himself so painfully that he forgot his partner altogether, for he began amid grimaces to rub his knees with his hands, without getting off the floor; and the girl, seemingly quite stunned by the fall, still lay on the floor. Now Tonio Kröger stepped forward, grasped her gently by the arms, and lifted her up. Exhausted, confused, and unhappy, she looked up at him, and suddenly her delicate face was suffused with a faint flush.