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PAGE 4

Tombstone’s Wild Oats
by [?]

It came about as a result of the reforms under the new regime. After the manner of their Dodge City administration the brothers ruled in Tombstone. They forbade the practice of shooting up the town. He who sought to take possession of a dance-hall according to the old custom, which consisted of driving out the inmates with drawn revolvers and extinguishing the lights with forty-five caliber slugs, was forthwith arrested. To ride a horse into a saloon and order drinks for all hands meant jail and a heavy fine. To slay a gambler, or make a gun-play in a gambling-house, when luck was running badly, resulted in prosecution.

Virgil Earp attended to these matters, and after several incidents wherein he disarmed ugly men whose friends stood by eager to let daylight into the new marshal, he owned a certain amount of prestige. It is only fair to remark in passing that he had a disposition–in ticklish cases–to shoot first and ask questions afterward; but that was recognized as an officer’s inalienable right in those rude days.

Now this new order of things did not meet universal popular favor in Tombstone. There were always three or four hundred miners off shift on the streets, and while a large percentage of them were peaceable men, there was a boisterous element. This element, and the cow-boys who had been in the habit of celebrating their town comings after the good old fashion, felt resentful. An occasional killing of one of their number with the invariable verdict from a carefully picked coroner’s jury, “met his death while resisting an officer in performance of his duty,” made the resentment more general. The recalcitrants said that Tombstone was being run by a gang of murderers in the interest of the gamblers.

Opposition to the administration began to crystallize. Things reached the point where in a twentieth century community reformers would be preparing to circulate recall petitions. But in the early eighties they did things more directly, and instead of the recall they had the “show-down.” The malcontents eagerly awaited its coming.

It came. And its origin was in Charleston.

Charleston was eleven miles across the hills from Tombstone down by the San Pedro River. There was a mill there, and the cow-boys from the country around came in to spend their money. Jim Burnett was justice of the peace. Early in the town’s history he had seceded from the county of Pima because the supervisors over in Tucson refused to allow him certain fees. “Hereafter,” so he wrote the board, “the justice court in Charleston will look after itself.” Which it did. Once the court dragged Jack Harker from his horse, when that enthusiastic stockman was celebrating his arrival by bombarding the town, and fined the prisoner fifty head of three-year-old steers. And once–it is a matter of record–a coroner’s jury under his instruction rendered the verdict: “Served the Mexican right for getting in front of the gun.”

Things always moved swiftly in Charleston. There is a tale of a saloon-keeper who buried his wife in the morning, killed a man at high noon, and took unto himself a new bride before evening. If that story is not true–and old-timers vouch for it–it is at least indicative of the trend of life in the town.

And to Charleston came those followers of John Ringo and Curly Bill who did not get on with the Earps. Several of them became men of influence down here on the San Pedro. Hither flocked those boisterous spirits who craved more freedom of action on pay-day than the mining town afforded.

Guns blazed in Charleston whenever the spirit moved. The young fellow who was ditch-tender for the company had to give up his lantern when he made his nightly trip of inspection, because, as surely as that light showed up on the side hill, there was certain to be some one down in the street who could not resist taking a shot at it. So while dissatisfaction was crystallizing among the miners of Tombstone a keen rancor against the Earps was developing over by the San Pedro.