**** ROTATE **** **** ROTATE **** **** ROTATE **** **** ROTATE ****

Find this Story

Print, a form you can hold

Wireless download to your Amazon Kindle

Look for a summary or analysis of this Story.

Enjoy this? Share it!

PAGE 6

Three Portraits
by [?]

Soon after his father’s death, in spite of his wiliness, Vassily Ivanovitch was challenged by an injured husband. He fought a duel, seriously wounded his opponent, and was forced to leave the capital; he was banished to his estate, and forbidden to leave it. Vassily Ivanovitch was thirty years old. You may easily imagine, gentlemen, with what feelings he left the brilliant life in the capital that he was used to, and came into the country. They say that he got out of the hooded cart several times on the road, flung himself face downwards in the snow and cried. No one in Lutchinovka would have known him as the gay and charming Vassily Ivanovitch they had seen before. He did not talk to any one; went out shooting from morning to night; endured his mother’s timid caresses with undisguised impatience, and was merciless in his ridicule of his brothers, and of their wives (they were both married by that time)….

I have not so far, I think, told you anything about Olga Ivanovna. She had been brought as a tiny baby to Lutchinovka; she all but died on the road. Olga Ivanovna was brought up, as they say, in the fear of God and her betters. It must be admitted that Ivan Andreevitch and Anna Pavlovna both treated her as a daughter. But there lay hid in her soul a faint spark of that fire which burned so fiercely in Vassily Ivanovitch. While Ivan Andreevitch’s own children did not dare even to wonder about the cause of the strange, dumb feud between their parents, Olga was from her earliest years disturbed and tormented by Anna Pavlovna’s position. Like Vassily, she loved independence; any restriction fretted her. She was devoted with her whole soul to her benefactress; old Lutchinov she detested, and more than once, sitting at table, she shot such black looks at him, that even the servant handing the dishes felt uncomfortable. Ivan Andreevitch never noticed these glances, for he never took the slightest notice of his family.

At first Anna Pavlovna had tried to eradicate this hatred, but some bold questions of Olga’s forced her to complete silence. The children of Ivan Andreevitch adored Olga, and the old lady too was fond of her, but not with a very ardent affection.

Long continued grieving had crushed all cheerfulness and every strong feeling in that poor woman; nothing is so clear a proof of Vassily’s captivating charm as that he had made even his mother love him passionately. Demonstrations of tenderness on the part of children were not in the spirit of the age, and so it is not to be wondered at that Olga did not dare to express her devotion, though she always kissed Anna Pavlovna’s hand with special reverence, when she said good-night to her. Twenty years later, Russian girls began to read romances of the class of The Adventures of Marquis Glagol, Fanfan and Lolotta, Alexey or the Cottage in the Forest; they began to play the clavichord and to sing songs in the style of the once very well-known:

‘Men like butterflies in sunshine
Flutter round us opening blossoms,’ etc.

But in the seventies of last century (Olga Ivanovna was born in 1757) our country beauties had no notion of such accomplishments. It is difficult for us now to form a clear conception of the Russian miss of those days. We can indeed judge from our grandmothers of the degree of culture of girls of noble family in the time of Catherine; but how is one to distinguish what they had gradually gained in the course of their long lives from what they were in the days of their youth?

Olga Ivanovna spoke French a little, but with a strong Russian accent: in her day there was as yet no talk of French emigrants. In fact, with all her fine qualities, she was still pretty much of a savage, and I dare say in the simplicity of her heart, she had more than once chastised some luckless servant girl with her own hands….